Quotes About Albums

When the topic of pseudonymous composition arises, I like to ask my students whether all those albums issued under the name of Bob Dylan for the last fifteen years can possibly be the work of the same person who performed "Highway 61 Revisited.")

Outward calm prevailed in the room, subdued voices, the tranquillity of fancy-work, and the peace of albums; yet Anna could not avoid a chilled impression, a feeling as though each person present were distrustful of the others, and more or less on the defensive.

I still love touring rock clubs around the world, and that's something that's really a part of me. I love making albums, and I'm a wedding singer on the side; that's my parallel career. So I love all those aspects of making music.

I moved to San Francisco to work at Apple's Cupertino office in the summer of 2006, then stayed on remotely in a part-time job back in Austin. It was an internship with iTunes. I helped them launch new features as well as new marketing programs. I also helped program the iTunes Store every week, working on which artists and albums got featured.

I really just dabble in music; I really just did a few albums for my fans.

A single is really quick, man. You can get it out, and in two months have it on your merch table. And albums can take a really long time. But when you get done with an album, it's a lot more fulfilling.

I want to record many albums, have a healthy record label with talented artists, keep building my publishing catalogue, and maintain our culture with good music that will be remembered for years to come.

I don't know how much influence we really had, because we never put our pictures on the albums or anything and we never really promoted the Talking Heads connection, because we wanted to keep it separate from Talking Heads.

I make up cassettes all the time - to take on the road with me - a song from this album, a song from that album. That's the way I listen to music; it's like one of those K Tel things: it's from all over. I listen to Fred Astaire, I listen to African folk music, I listen to Talking Heads.

My first two albums, 'Silverbird and 'Just a Boy,' which had the single 'Long Tall Glasses' on it, were very well received. Then I did another one, 'Another Year,' which did miserably.

If you look at the whole time I was in the band, I only did, like, three solo albums - two, really. 'Out Of The Cradle,' I had already left because we'd done 'Tango In The Night,' and it was sort of the logical extension of crazy in terms of everyone getting ready to hit the wall with their habits.

The Watersons, Frost and Fire (1965); The Young Tradition, So Cheerfully Round (1967); Peter Bellamy, Merlin's Isle of Gramarye (1972).

Country fans need to support country music by buying albums and concert tickets for traditional artists or the music will just fade away. And that would be really sad.

Hip-hop don't have no fresh energy, none at all. It's money driven, everybody tryin' to make that cheque, nobody putting art in their albums any more.

When you have a reputation for making not only good songs but great albums, that in itself creates added artistic pressure. But, at the end of the day, I guess that pressure is something I welcome.

I guess the idea of doing albums in their entirety, in sequence, appeals to people. I guess it's the memory of being able to hear the music in the way it was originally presented.

I would be happy presenting our albums as part of a joint autobiography.

I've been making demos at home for many albums now. So over those years, I've learned how to record music, and I love being at home. I excel when I can make things at home.

In the beginning, if you look at those early label albums of the Chicks, we didn't write all that much. We had an A&R person and they were getting songs from publishers, listening to hours and hours of cassette tapes.

When I was younger, I had two of mine own cassette tapes that I burnt up, like constantly I was always listening to. They were two Ricky Skaggs albums.

Dad had a music store, and he'd often bring home comedy albums that I would listen to. I started listening to Bob Newhart and Bill Cosby, and developing taste. They really influenced my style of comedy.

We music fans love our classic albums, our seamless masterpieces, our Blonde on Blondes and our Talking Books. But we love to pluck songs off those albums and mix them up with other songs, plunging them back into the rest of the manic slipstream of rock and roll.

Bowie's five best albums came all in a five-year rush: Station to Station (1976), Low (1977), "Heroes" (1977), Lodger (1979), Scary Monsters (1980). What do these albums have in common? The rhythm section: Dennis Davis on drums, George Murray on bass, and Carlos Alomar on guitar.

Anne Briggs, The Hazards of Love EP (1964); John Renbourn, John Renbourn (1965); Mick Softley, Songs for Swingin' Survivors (1965).