Quotes About Electronic

I know very little about the viral, electronic world, but I use Twitter to communicate not only information that I think some of the fans want to hear about but also ideas.

I started with soul music and icons like Aretha Franklin and Etta James and then moved to R&B and artists such as Erykah Badu and Lauryn Hill. Electronic music came later on, when I was in high school and I was really influenced by artists like Skrillex and Major Lazer.

Electronic music used pure sounds, completely calibrated. You had to think digitally, as it were, in a way that allowed you to extend serial ideas into other parameters through technology.

My best monster bass sounds have come from FM8. People think they all come from Massive, but most of the ones that kids online are trying to recreate in Massive are actually from FM8. I also really like Sylenth1, my Tone2 Gladiator and some other granular soft synths as well.

It was Skrillex who got me into dubstep. He made it melodic - not just a bunch of crazy sounds.

I think the indie-rock world is very creative. They're always looking for something new, and I think of all the instruments we have in the world, the ones that are the most creative and interesting are the electronic ones. There are so many sounds and plug-ins you can use.

People don't realize enough how important and influentical John Carpenter has been in electronic music. He did his soundtracks by himself, using mostly electronic and analog synthesizers. He's a cult figure with DJs these days for good reasons.

I've never been one of those musicians to differentiate between acoustic and electronic sounds. I just see it all as sound sources to be used. This translates into my live shows as well.

I like the fact that I have the power to convey a lot of emotion through my songs. I like to channel that when I'm singing. I think it's just a mix of R&B, soul, but then I kind of move more into the pop world and electronic pop and stuff like that.

I think the Flecktones are a mixture of acoustic and electronic music with a lot of roots in folk and bluegrass as well as funk and jazz.

Originating in large scale electronic warfare and anti-jamming technologies for the battlefield devised by two Russian immigrants, these now one-chip systems can fit in a handset and enable intercommunication among the towers of Babel in urban America.

bet's cash, electronic

I know what it's like listening to Aphex Twin driving down the beach.

I used to go and see bands like the Orb and Orbital every time they came down, and I've seen Aphex Twin a couple of times. I was really into all that stuff, but it didn't speak to me.

There's not a single business model, and there's not a single type of electronic content. There are really a lot of opportunities and a lot of options and we just have to discover all of them.

I worry about being a fogy and just writing for orchestras. Like, really, I should be doing more electronic stuff, I feel. Laptops as part of the orchestra, and installation sound, and speakers.

I personally love electronic music specifically because it has the rhythm, the kick, the thump - it has energy.

Europe in general is a great place for me, but specifically Germany has been very good to me. Germans love classical music... Electronic dance music is massive over there, so I'm kind of the marriage between the two.

I guess fusion would be the best way to describe my music. I think it also goes into the spectrum of electronic and dance with inspiration from Indian folk songs.

There does seem to be a kind of split. There are those people who are more entrenched in the early electronic years, and new people who have come to it because of people like Nine Inch Nails and Marilyn Manson.

My hip-hop fans are a little spoiled - they want a particular level of lyricism and energy that I'm known for. When they don't get that, it takes a little time for them to open up to it. But electronic fans are as free as the music. On social media, they were so excited and loud; they're in awe.

The condition of matter I have dignified by the term Electronic, THE ELECTRONIC STATE. What do you think of that? Am I not a bold man, ignorant as I am, to coin words?

I was just realizing that if you have a set of cryptographic protocols suitable for issuing an electronic currency that cannot be counterfeited—which oddly enough we do—you could adapt those same protocols to card games. Because each one of these cards is like a banknote. Some more valuable than others.

For kids, multitasking electronically is common. But they are totally focused. You can tell a good story, and they listen.