Quotes About Musicians

As far as actual playing, Clapton - by far - is my biggest influence, and you can tuck Jeff Beck underneath that.

From the time I moved to San Francisco in 1967 to play with the Steve Miller Band, there was a lot of support in the music community for one cause or another, but this one was special because it was put on by people who understood where musicians' hearts are.

When I was growing up, there were a few musicians who would have regular gigs at restaurants, and I always thought it was so cool and unexpected how they would spontaneously perform. Being the ambitious kid that I was, I got into it and really studied it. I was so inspired by it.

Some artists and indie musicians see Spotify fairly positively - as a way of getting noticed, of getting your music out there where folks can hear it risk-free.

His belief in the power of music to convey ideas - not just entertain - has filtered down to musicians in every field, from alt-rock to hip-hop, from Bruce Springsteen and U2 to Arcade Fire and Kanye West. Popular music is different because of Johnny Cash.

American musicians are very giving - they have the highest standard in the world - but they are also very demanding in their conditions.

Criticism is always hard to take - we musicians are sensitive. It's always hard when someone says something negative - but you try to learn to just let it roll off and not worry about it.

In the neighborhood that I grew up in - in New York on Long Island - there were a lot of musicians. For some reason, that time in history in our town in New York, everybody played. So it was all around me.

Growing up in Chicago, I was a theater nerd. That might be very cool on the East Coast, but in Chicago, it's really the athletes that come in No. 1 on the cool scale. Maybe musicians after that. Community theater? That's way down the list, my friend.

We hate Simple Minds. They were no.1 in our Top Five Bands or Musicians who will have to be shot come the musical revolution (Michael Bolton, U2, Bryan Adams, and, surprise surprise, Genesis were tucked in behind them. Berry wanted to shoot The Beatles, but I pointed out that someone had already done it.

If you want to know what's really going on in a society or ideology, follow the money. If money is flowing to advertising instead of musicians, journalists, and artists, then a society is more concerned with manipulation than truth or beauty.

There was segregated unions, which was a real problem for me because - especially as I was working in the recording scene, I had flack from the white union for hiring black musicians. I had flack from the black musician by hiring white musicians.

I didn't follow the standard rules of bass playing, and many musicians on many different instruments who became noteworthy for their unique or particular style did a very similar thing.

One of the things that's influenced me musically was my experience at Brown University. I was surrounded by musicians that I really admired, and felt challenged to come up with music, lyrics, and recordings that stood up to the expectations of those musicians and myself.

I think performers are all show-offs anyway, especially musicians. Unless you show off, you're not going to get noticed.

I think when we were starting out, it was more about imitating our songwriting heroes. We would try to write songs like Neil Finn, or we would try to write songs like Ray Davies, or we would try to write songs like Glenn Tilbrook.

The great jazz radio stations have a duty to continue evolving their format just as audiences ask the musicians to evolve. How do you do that with a form of music that has 100 years of recorded history? How do you also keep it contemporary so you don't isolate your listeners? These are major questions.

Broadcast radio was entering its own golden age during the Depression, with live programming on stations all through the day. Local stations needed singers, musicians, announcers, and whipcord personalities, along with Christian clergy to give prayers and pundits to speak on world affairs.

I record all night and sleep all day. It started because you're excited about the music and you want to stay up longer, but over 15 years, it's become a habit. In my circle, I think a lot of musicians operate like this. When the place is quiet, you're more creative. I have plenty of people I can call at 4 A.M. and know they'll be up.

My father started his own business, and before that was a freelance lecturer, and my friends are artists and musicians; they don't have real jobs - none of us have real jobs.

Most musicians are normal people who want to hang out and are really down to earth.

A lot of people from the Bay, especially musicians, feel like northern California is not the place where everything's poppin' off and not quite on the cutting edge artistically as New York or L.A. People from the Bay feel like they have something to prove, and I always love feeling like I have something to prove.

Growing up in a bluegrass or acoustic-oriented world, the musicians become so focused on performance, as far as playing. We tend to overanalyze the notes, so you're always trying to sharpen everything up.

Being on 'Nashville' and working with some incredible people like T-Bone Burnett and Buddy Miller - so many wonderful, incredible musicians that I've been blessed to play with and observe - that has continued to shape the process of arranging music, writing music.