Quotes About Musicians

I've played with all of the heavyweights in the modern jazz, progressive jazz movement. I've been fortunate enough to play with them, a who's who. All of those guys, I've been fortunate enough to have performed with.

I think musicians are always very generous in promoting anything good they hear. It's just kind of in our nature.

When I moved to Hollywood, I was expecting it to be this Mecca of extraordinarily talented musicians, and it was instead the era of Faster Pussycat and bands that had an appeal, but I couldn't do anything like that. There's nothing in my being that can do anything like that.

'Instagram' is great if you want to share photos, but you're not that technical. Or, if you're not interested in sharing publicly, 'Instagram' becomes a place where you can not only consume photos and videos from musicians, or whoever, but send them directly to your friends.

When Complex hired me, originally I wasn't at First We Feast, I was just like a hired hand for Complex. They'd send me out to different events or they'd have people visiting the office and I'd do interviews with athletes, musicians, whoever.

In Berlin I especially enjoyed the orchestral concerts, and I attended a large number of them. I formed the acquaintance of a good many musicians, several of whom spoke of my playing in high terms.

I'm quite ignorant about fashion and I'm colourblind, so it's all a tad tricky. My only knowledge of that world comes through Christopher Bailey, whom I first met in 2008 when I did a campaign for Burberry that featured musicians, artists, actors and sportsmen.

I don't have actors as friends. There's no actor who's my 3 A.M. friend. There are a couple of musicians whom I can call friends, and I have a close knit group of friends whom I feel comfortable with.

I think my music has always been a mixture, depending on whom I'm working with - what band, what musicians, what producer.

A violin neck is much smaller than the guitar's, so it's much easier to play wide intervals on one violin string. On the guitar, you really have to stretch to play them.

Indian classical music is charming and currently there are a wide range of musicians who bring great classical tunes to the Bollywood industry.

At the time, there was a great disagreement over 'The Wild and the Innocent,' and I was asked to record the entire album over again with studio musicians. And I said I wouldn't do it, and they basically said, 'Well hey, look, it's going to go in the trash can.' That's the record business, you know.

I think a lot of musicians play for the playback. I mean, that's the joy of recording - you want to hear what you've done and what you've contributed - but never listening to that playback kind of removes the intellectual part of making music, and it removes the tendency to be revisionist.

Musicians get tense at big gigs. Some you can't talk to before the concert; some you can't talk to afterwards; some need the same size dressing rooms as others; others need bigger; some have comments to make on others' musicianship or how a particular song ought to be played.

Musicians are there in front of you, and the spectators sense their tension, which is not the case when you're listening to a record. Your attention is more relaxed. The emotional aspect is more important in live music.

When you're making music or playing a song, I find the moments when there are no instruments being played even stronger than when they are being played. Because they add tension. It's also an ego-less thing - a place where you have no ego - when you're with a bunch of musicians who stop and listen instead.

There is a basic language of music that I think is important for communicating with other musicians - just the kind of terminology that might make it easier to describe your ideas to the other guys in your band.

I had a musician friend once tell me that it's not in the orchestra that you get the true test of the musicians but in the little trios and quintets where you really get to see if they've got the stuff. And the composer.

My training as an engineer has enabled me to design the stuff, but the reason I do it is not to make music but for the opportunity to work with musicians.

It was physically difficult, adjusting to wheelchair life, but I remember a great relief and happiness that I was finally getting somewhere, finding musicians to work with that were sympathetic.

But artists and writers and musicians like your dad are helpless to resist the dark side's pull. This is territory that books know well, and it's our job not to turn away from it, whether we like it or not.

The musicians are good and their music is catchy - it pulls the kids in in droves. Mike Bickle admitted to me that the music was a big part of their success at attracting young people.

Those intellectuals are our natural enemies; the only kind who are worth anything are the musicians and the dancers: they don't insult anybody with their performances, and they neither sing nor dance politics. So I like them; but don't let me hear a word about the rest

The final credit, common to the British and American releases was, "And Paul would love to thank Linda and Linda would love to thank Paul and thanx Denny"—not quite the wording one would expect from musicians trying to project a group image.