Quotes About Choruses

I like things all shined up and rocking with hooky pop choruses.

Where had they all gone to, he often pondered; those threads he had once held together, how far had they scattered, some to break, others to weave into unknown patterns? The strange randomness of the world beguiled him, that randomness which never would, so long as the world lasted, give meaning to those choruses again.

Life will not answer to reason. And meaning is too young a thing to have much power over it. All the drama of the world is gathering underground—massed symphonic choruses that Patricia means to hear before she dies.

Wind is in the cane. Come along.Cane leaves swaying, rusty with talk,Scratching choruses above the guinea's squawk,Wind is in the cane. Come along.

I don't want to go to university. I don't like unity and I hate verses. I just love the choruses of songs.

One might have supposed one's self at an opera in listening to the voices in my aviary. There were duets and trios, and quartetts and choruses, all arranged as in one piece of music. Did I want silence from the birds? I had but to draw a curtain over the aviary, and their song hushed as they found themselves left in the dark.

The hits always wind up being the songs with big, high choruses. They're the ones too high to sing every night - not that you'll ever, ever hear me complain about having to try.

What we're most known for is the catchy choruses and the big hooks.

I love music that has good catchy choruses and fits into many different genres. ... I like real artists, that write their own material and are great performers.

If you accept my analysis, it follows that a "good congregational song" is one that is excellent and has integrity in terms of its own genre , in its words, music, and interaction between them. It makes no sense to compare hymns, choruses, rounds and refrains and declare that one genre is superior or inferior to another. It also follows that a single genre can include varying musical styles, as with "Taizé" and "evangelical" choruses.

When I was performing the songs on 'Kiss Land,' it was a great singalong. But there were moments where I realized some parts were catchier than the others. There's maybe two choruses on all of 'Kiss Land.'

The difficult thing about a pop record is that you're given guidelines: it has to have 3 choruses, and then it must be between 3 minutes fifteen seconds and three minutes forty-five seconds.

The poet T. S. Eliot captured this in his "Choruses from 'The Rock'": Where is the Life we have lost in living? Where is the wisdom we have lost in knowledge? Where is the knowledge we have lost in information?

Yet a surfeit of information may paradoxically inhibit the acquisition of knowledge and push wisdom even further away than it was before. The poet T. S. Eliot captured this in his "Choruses from 'The Rock'":   Where is the Life we have lost in living? Where is the wisdom we have lost in knowledge? Where is the knowledge we have lost in information?

I like structuring verses, choruses, but sometimes the verses might be a tango and the choruses might be death metal.

We start a lot with melodies and instrumentation and trying to figure out good melodies for verses and choruses. We get to lyrics sometimes second, so we'll start humming a melody, finding something, and see where the music takes you as far as lyrics are and what you want to say and go from there.

I wanted to have all the songs to be the strongest they could be and all the choruses to be catchy. One of those records you could put in your car and just drive and not have to change it.