Quotes About Catchy

I just love catchy melodies.

I like to always do my best to make music catchy, so I think a very catchy melody is cool.

We're not alt-right, and we're not old-school, National-Review-boring Right - we're aggressive. We're in a meme world - we're in a world where you have to be catchy, punchy.

If I had a walk-up song in 2019, it would be 'Baby Shark.' It's haunting. It's mesmerizing. It's catchy.

Even when I wrote death metal songs for a death metal record, I was always trying to do my best to make it as catchy as possible because that's how I like music.

This is the beauty of popular music, that it is based on simple and memorable tunes.

I don't ever have the pressure of making a hit, because I've never had a hit song, per se. The closest thing to a hit song was 'Shiraz,' and it's not your prototypical hit song, with a catchy hook and all this other stuff.

When I was performing the songs on 'Kiss Land,' it was a great singalong. But there were moments where I realized some parts were catchier than the others. There's maybe two choruses on all of 'Kiss Land.'

Music has always been an important part of the 'Final Fantasy' series. The popular role-playing games have typically featured catchy, eclectic soundtracks filled with beautiful orchestrated melodies.

I listen to a lot of Backstreet Boys, NSYNC, Britney Spears - the songs just stick in your head and that's what I want to achieve with my music.

My music is nostalgic. The early Neil Sedaka songs are always catchy and very singable.

The most exciting songs to me are the unlikely hits, when you think, 'I love this, but why is it on the radio?'

With pop, it's pretty much straight up and down. It has to be simple. Everybody has to be able to walk down the street and be able to sing it.

I prefer catchy, passionate, temperamental music. And as an upside of that, Ghost's repertoire has, over the years, been piqued by a few, sort of, hits.

I think people sometimes confuse 'catchy' with something that should automatically be a hit in today's world. I mean, obviously we write a lot of stuff that's catchy, that sticks in your head. But that doesn't necessarily mean that middle-school kids are going to want to listen to a song about a lawyer or a Subaru or whatever.

It's incredibly important to me that you remember a song right after the first or second time you hear it. That something sticks to you, something that makes you feel, 'I need to hear that song again.' That's fundamental. Something you want again. And again.

The great thing about 'Coco' is that for anybody who hears it, it just sticks.

If you listen to me, it's real stories. It's catchy and something you can relate to.

I remember writing '5 Dollars' out of intense listening sessions of Bruce Springsteen. I don't know if it's obvious, but I was obsessed with how limpid Bruce Springsteen's melodies are: It's such a great way to do storytelling and to still be melodic and catchy.

You hear ten seconds of a song, and you know it's OutKast. There's a strangeness about it because it's catchy, but it's not just pop for the sake of pop. They're pushing the envelope.

I love listening to the radio because there's something about that discovery, that platform, still being the main medium. And it is changing with streaming services, but I like to listen to what people are listening to and figure out why is this song so catchy.

There are a billion songs that I've heard and said, 'I don't even care to have an opinion about it,' but if I have to hear a snippet of the refrain of 'We Are Never Ever Getting Back Together' once, it'll get stuck in my head, and that drives me crazy.

All my favourite pop songs are the most stupid ones, the ones that are the most obvious.

Just because something is melodic or catchy doesn't mean that it doesn't have depth and substance and progressive sensibilities.