Quotes About Women

I know so many women, comic geniuses. Where are the parts?

The sci-fi genre just happens to have a lot of really great characters for women.

A lot of senior artists say that they support women, but they have a machine of people behind them telling them to be that way. l don't think it's always true and genuine.

I have genuine respect for women and I want to win their respect. I don't want them to look at me and say, 'Oh, another man with the same attitudes as most men.'

In places like the U.S. and Germany, women's professional boxing is already quite big, but I'd like to be the name that makes it bigger and gives it more global appeal.

Sometimes when we think about femininity, we think also fragile. But I think you can be feminine and very strong. I think make-up goes with that femininity. I think it's a natural gesture for women and one they do more for themselves than for others.

My own foundation concentrates on women's economic empowerment on the basis that if women have their own money and are able to support themselves, they can make choices about what happens to them in their lives, about whether they have education, whether they get married, and what happens to their children.

I think, a lot of times as women, we feel pressure from our parents, our friends: we see our friends get married.

I love the women who are coming back to school and getting their degrees because they're so focused.

I feel career women should avoid getting married.

I've always felt more comfortable in the company of women, and as far as girlfriends go, they've each been a learning experience. You meet someone at a certain point in your life, then break apart, but you always share that time.

Women are very comfortable giving to charities or things they believe in, but not as much political givers.

I have always believed that more stories of women in leadership roles need to be told and I am glad I could be a part of one such story.

Bascially, I want to do movies wherein even the girl's character actually has a part. If you want me to do glamorous roles, that's fine. But you have to make sure the character is good.

I like to help women to spend not a lot of money - to feel powerful, elegant, glamorous, to feel good about themselves.

There is nothing worse than bright lighting - it isn't flattering and makes the glamorous women want to leave.

Something about glamour interested me. All my schoolbooks had drawings of women on terraces with a cocktail and a cigarette.

Four More Shots' is high on the glamour quotient and has perfect looking women. But to constantly look perfect is quite exhausting.

There are real consequences when women speak out. It's really dangerous, and it takes real courage. We are still speaking out against a white male majority. Forget the glass ceiling. We haven't even broken the glass floor!

Our main aim globally is to connect more women to the economy because we know there is a specific market failure there: women are having more difficulty in business than men.

With 'Into The Gloss' and now Glossier, the reason it was successful was because there were so many like-minded women out there who were also dissatisfied with their beauty experiences.

I think people look back at the '90s as a golden era of female empowerment.

I think women should band together to get us more respect in all the businesses that we're in because, you know, if we turn 40, we're nothing and nobody. We all should band together and just say we're not gonna go down like that.

I feel that more women should turn directors as they are more sensitive and emotional than men - that's a crucial factor in being a good director.