Quotes About Moment

My birthday is Feb. 11, and I'm both excited and not excited by it. You'll never be 15 again, and you really, really need to savor every day like it's your last.

If you make a film about childhood, you've got to pick a moment - you know, 'The 400 Blows.'

Sometimes it boils down to a move or two and that makes all the difference.

Something about a performance - it's in the air, it's in the moment. It never really bothers me when something goes wrong; I think it's kind of funny.

I bought all the stuff, but nothing was as satisfying to me as using the Rolleiflex because it was one shot.

I always live in the present. Every night, my mother asks me what I want for breakfast the next morning, and I say that I can only tell her that when I wake up the next day.

I feel like my breakout moment had to have been when I dropped 'Drip Season 3.' I feel like it was just a real good body of music.

I had lots of breaks.

I take a breath when I have to.

Sometimes you think you have all the time in the world. But the time is now. Sometimes you only have a brief opportunity.

I remember 'Resurrection Boulevard.' It was on for such a brief moment, but they were trying to do a good, Latino, Mexican-American family with a patriarch.

The leader is the person who brings a little magic to the moment.

The British retreat is over and now the advance will begin.

I did die once, for seven seconds, after a burst appendix.

It's not about 'succeeding,' but sometimes on a film, you know you've captured something.

I think success is what you make of it - of course there is always the factor of luck, but one should always be equipped to seize the moment when opportunity knocks.

Success is little more than a chemical compound of man with moment.

I take each thing as it comes and appreciate everything that's in front of me now because people in this industry are so fixated on the next thing that they don't enjoy the moment. It passes you by, and all of a sudden, it's over.

Everything can change at any moment, suddenly and forever.

There was a moment with 'Zootopia' where we said, 'This is the experiment: let's try Judy in the role of the protagonist. Let her character introduce us to the city and this world.' And suddenly, all that struggling and trying to make traction into this story was done.

Suddenly, you are very much in the present, and you learn it's really the place where you should always live.

I think a moment of critical energy has suddenly emerged. But moments like this come and go unless we seize them at their height.

What I find compelling is the moment in which people realize, with suffering and pain, that in the past there was a time when they were happy, because back then the present and the future coincided - they were one and the same thing.

The moment you say, 'I want to do a role,' the story suffers. I don't set priorities in terms of roles or scripts.