Quotes About Modeling

I was successful very quickly. I was on the cover of 'Vogue' before I knew it.

My mother, all of her sisters and my siblings all went through a stage from the age of about 15 to 19 where they widened and then lengthened. Had I not been modelling, that would have been a phase that was in a family photo album rather than in Vogue.

I loved modeling. I absolutely loved it. I was so happy to get the cover of 'Vogue' - 23 times. I keep each copy. I made more money as a model than as an actress or as a filmmaker. In monetary terms, beauty pays more than anything.

My very first runway show, I was in 'Vogue.'

I started at the top. My first job was the cover of 'Italian Vogue,' which is the equivalent essentially of winning an Academy Award. So, there was nowhere else to go from there.

I've always said that I feel lucky to live in the era of social media and be a working model in this time. Back in the day, models were just another face. But social media has given people a voice and not just another face. Not only can you show the world your personality and stuff like that, but you can be a brand ambassador easily.

Modeling for adidas is a dream I never knew I could achieve. I've had it in my mind to work with such a dope ,and it's so amazing that I get to be a part of a campaign with so many powerful voices.

I was discovered by Paul Marciano of Guess when I was actually, like, two years old. And so I started with Baby Guess; I did Guess Kids, and then I stopped because I was a really competitive horseback rider and a club volleyball player. I went to Junior Olympic qualifiers for volleyball. So, I kind of stopped modeling.

When I modeled, my name always came with a preface: 'the voluptuous Sophie Dahl.' I was the anti-waif, as round as a Rubens.

When I started modeling, I was definitely heavier. I was quite voluptuous in fact. I had a real baby face and baby fat. But I was a baby! I was told I had to get into better shape, but I'm quite stubborn so I didn't.

I was modeling while I was in university and my agency said, 'There's this fashion campaign, can you go?' And I didn't want to; I told him I wanted to focus on my acting, but I ended up going, kind of dragging my feet, and it turns out, the casting director for it was the casting director for Lars von Trier's new movie.

Zoolander was more of my own sensibility.

I go to castings and see several black and Asian girls, then I get to the show and look around there's just me and maybe one other coloured face.

If a model is going to make some shoes, she's going to make them comfortable.

You always get apprehensive before you do shoots.

I'm like the Russian Tyra Banks.

Modeling was never a passion of mine.

Luckily, one of the perks of being an Angel is that I don't have to go to casting. It's so nerve-wracking - even the girls who have been in the show year after year still get nervous. The show is seen around the world, so it's a huge honor to be selected.

Be a model and don't wait to be modeled

Headship modeled on the headship of Christ demands a profound life of devotion and intercessory prayer.

For modelling, you have to be such a strong person in a way - or seen to be a strong person, do you know what I mean? But in acting you have to get in touch with all the vulnerability that you carry.

When I first began modeling, I was very conventional looking. I had hair down to my waist in a side parting - almost church-like. But beneath the sheath of hair lay this Amazonian, strong-looking frame.

I could count my modeling jobs on my hands and toes. When I graduated from college, I moved to New York specifically to study acting, and I needed to pay the bills, and it's better to make a couple thousand dollars in one day than to wait tables six days a week.

I basically modeled my way through college, doing local runway shows in L.A. that don't pay a lot and a couple of shows in N.Y. and S.F., and I probably made the same as the average 19-year-old waiter; I just worked less and was around beautiful girls, so it was nice.