Quotes About Observation

People who generalise about people are dismissed as superficial. It's only when you've known large numbers of people that you can spot the unusual ones—when you look at each one as if you'd never seen one before, they all look alike.

How on earth could he not see it? It stood on the wooden floor behind him, in the corner just inside the door, where the light from the hallway poorly fell: an old-fashioned alarm clock with three blunt stumps for legs and a bell like a Prussian helmet. Its face, a faithful little moon, was turned up to her, its hands were spread to plead innocence, and its inner mechanism emitted without ceasing the rapid ribbon of blows called the passing of time.

I've seen the way she comes on to him—I just can't stand it. You know—what really shits me is how you spend years working on yourself to get rid of all that stupid eyelash-fluttering and giggling, and then just when you think you're getting somewhere, you find out that guys still like women who do that sort of thing. I watch 'em fall for it, every time.

The faster we travel, the less there is to see.

the poetic moment is a static one. It's watching through a window while the action happens elsewhere. And then the poet turns away from the window because the poem is done ... It cannot unflinchingly stare grief down. At some point, by necessity, or design, it must turn away.

we catch a glimpse of white fur flashing by inside the bars of the woods.

An astute observer might suggest that my emphasis on connection probably comes from experience of its opposite. And that's true. I know what it's like to feel disconnected, on the outside, estranged, not only from other people, but also from myself. I spent many years trying to reassemble the fragments of my divided self and reconnect them.

the world is full of signs and wonders that come, and go, and if you are lucky you might see them. Once, twice. Perhaps never again.

Watching, not doing. Seeking safety in not being seen. It's a habit you can fall into, willing yourself into invisibility. And it doesn't serve you well in life. Believe me it doesn't. Not with people and loves and hearts and homes and work. But for the first few days with a new hawk, making yourself disappear is the greatest skill in the world.

Now that Dad was gone I was starting to see how mortality was bound up in things like that cold, arc-lit sky. How the world is full of signs and wonders that come, and go, and if you are lucky you might see them. Once, twice. Perhaps never again.

When we meet animals for the first time, we expect them to conform to the stories we've heard about them. But there is always, always a gap. The boar was still a surprise. Animals are.

I stalked around the edge of the wood, crouching low, holding my breath. My attention was microscopically fierce. I'd become a thing of eyes and will alone. Mabel held her wings out from her sides, her head snaking, reptilian, eyes glowing. It felt like I was holding the bastard offspring of a flaming torch and an assault rifle.

I look. There it is. I feel it. The insistent pull to the heart that the hawk brings, that very old longing of mine to possess the hawk's eye. To live the safe and solitary life; to look down on the world from a height and keep it there. To be the watcher; invulnerable, detached, complete. My eyes fill with water. Here I am, I think. And I do not think I am safe.

I roll a magazine into a tube and peer at her through it as if it were a telescope...She pushes her beak into it as far as it will go, biting the empty air inside. Putting my mouth to my side of my paper telescope I boom into it: 'Hello, Mabel.' She pulls her beak free. All the feathers on her forehead are raised. She shakes her tail rapidly from side to side and shivers with happiness.

I watch the cranes scratching their beaks with their toes and think of how the starling flocks that pour into reed beds like grain turn all of a sudden into birds perching on bowed stems, bright-eyed, their feathers spangled with white spots that glow like small stars. I marvel at how confusion can be resolved by focusing on the things from which it is made. The magic of the flocks is this simple switch between geometry and family.

I feel like a tableau at a roadside shrine. But I'm not sure what the shrine is for. I'm a roadside phenomenon. I am death to community. I am missing the point.

slow down as if they're moving through liquid. I am becoming fascinated by her quality of attention. I'm starting to believe in what Barry Lopez has called 'the conversation of death', something he saw in the exchange of glances between caribou and hunting wolves, a wordless negotiation that ends up with them working out whether they will become hunter and hunted, or passers-by.

and it was there, standing on the edge of a village playing field, that I gratefully stepped into novicehood again, as if I had never seen a hawk in my life.

Being sworn at by woodland creatures is disquieting, but comforting too...these alarm calls remind me that we have consequential presence, that the animals we like to watch are creatures with their own needs, desires, emotions, lives.

You are exercising what the poet Keats called your chameleon quality, the ability to 'tolerate a loss of self and a loss of rationality by trusting in the capacity to recreate oneself in another character or another environment'. Such a feat of imaginative recreation has always come easily to me. Too easily. It's part of being a watcher, forgetting who you are and putting yourself in the thing you are watching.

there is a world of things out there – rocks and trees and stones and grass and all the things that crawl and run and fly. They are all things in themselves, but we make them sensible to us by giving them meanings that shore up our own views of the world.

I was looking down at a little sprig of mahonia growing out of the turf, its oxblood leaves like buffed pigskin.

A sparrowhawk, light as a toy of balsa-wood and doped tissue-paper, zipped past at knee-level, kiting up over a bank of brambles and away into the trees.

It's part of being a watcher, forgetting who you are and putting yourself in the thing you are watching. That