Quotes About Observation

I kept an eye on Chelsea's fortunes after they first tried to sign me.

So foul and fair a day I have not seen.

I like the camera to be still and not very shaky and have everything happen within the frame.

I couldn't tell if any frames were removed. Seen as a whole it shows that I have seen. Seeing you have 18 frames a second you can take out one or two and I couldn't tell.

Bridges become frames for looking at the world around us.

To be frank, I have always been fascinated about what's happening behind the screen.

Table talk is a part of the game, and frankly, it's the part of the game that I enjoy most.

I know talent when I see it. I know frauds when I see 'em. I know players that can play and can't play.

The French are a smallish, monkey-looking bunch and not dressed any better, on average, than the citizens of Baltimore.

Often it's the people who know a place least well who write about it best because they see it fresh.

There are things you can learn about certain players while watching them in action in a friendly.

I'm a musical political, I tend to stick to what I see happening outside my front door.

As a young boy in Libya, it was hard to escape the conclusion that the women were the most feeling and most functional part of society.

If you look there is humor in every situation like your Aunt eating up all the food at the funeral or the lady sitting next to you at the bus stop.

If I go to a party, I'm not one to be the funniest person in the room at all.

When I like myself, which is not too often, but when I do like myself on film, it's when I point, and I go, 'Look what she did! She did the funniest thing - look at her!' Where I can really separate back from it and I don't see me anymore, then I'm really excited. That's, like, really fun for me. That jazzes me.

There's no such thing as a 'writing talent.' Anyone can be taught to write a good sentence. What writers are born with is a 'third ear,' not for words but for human nature. And like people with an ear for music who can play the piano without lessons or notes, we can't explain how we know what we know — we just know.

The most important pratical lesson that can be given to nurses is to teach them what to observe-how to observe-what symptoms indicate improvement-what the reverse-which are of importance-which are of none-which are the evidence of neglect-and of what kind of neglect.

Faces always talk too much. One line and all their plans are revealed.

We stare at the wonders of the world, dulled-eyed, underwhelmed.

As Tietjens saw the world, you didn't talk. Perhaps you didn't even think about how you felt.

If you live among dogs they'll think you've the motives of a dog.

We talked of it, of course, but I guess Florence got all she wanted out of one look at a place. She had the seeing eye. I haven't, unfortunately, so that the world is full of places to which I want to return.

The exact eye: exact observation: it was a man's work. The only work for a man. Why then were artists soft: effeminate: not men at all: whilst the army officer, who had the inexact mind of the schoolteacher, was a manly man? Quite a manly man: until he became an old woman!