Quotes About Audiences

We want to give our audiences flexibility in the way they're commercially engaged in the content.

Western audiences are way more forgiving for the image of a star.

We founded RocketJump for two reasons: to provide quality entertainment and to reach as many different audiences as possible.

French cinema audiences usually don't express anything. Certainly not satisfaction.

I struggle on many fronts on having to move to a different level, having to cater to constantly evolving audiences.

When audiences come to see us authors lecture, it is largely in the hope that we'll be funnier to look at than to read.

When we started work on 'Baahubali,' my sheer aim was to be able to live up to the imagination that Rajamouli sir had in mind. As an actor, my intention was to bring up 'Baahubali' live on screen for the audiences. I never even expected in my wildest of dreams that the film would grow on to become a phenomenon of sorts.

I wrote a very bad play about Prince William when I was 23 in which he went off to the island of Iona to discover himself. It was very long, and audiences should probably be very pleased that the computer it was on blew up.

At 3-D Imax theaters, audiences have shown they are willing to pay a premium to wear headgear fitted with liquid-crystal lenses synchronized via infrared signals with the movie projector, which runs at twice the normal frame rate. These movie viewers plumb new depths in depth perception - they experience extreme realism.

Movies, I don't really get the bad guys. In theater, I get more bad guys. Both audiences and directors are more willing... to allow people to stretch. In movies, you do one thing, and then that's their reference.

If you want to do a talk show on network television, you're probably going to wind up having a desk and a band, wearing a suit, and having a sidekick. Audiences want to feel comfortable.

An award means a lot to me. It brings happiness along with a kind of fear. It brings fear because the award is the responsibility which audiences have put on us. So a singer winning an award should always try to give best of him to the audiences.

There's a form of selling out. It's necessary. You have to become edible for people in Texas. You have to become edible for the Christian right, for mass audiences.

It is rare for an artist to get acceptance by the north as well as the south audiences, and I have thankfully managed that.

The problem with comedy audiences - it's like the Coliseum - when they see someone struggling, they don't feel altruistic towards them. They feel slightly repulsed by it.

Singing is my passion, my first love and the secret of my energy. Music to me is like finding my inner self, my soul. It gives me a great joy to see audiences enjoying with me. I have given my heart to singing. When I sing, I can feel romance in everything around me.

Macbeth is a very popular play with audiences. If you want to sell out a theater, just mount a production of Macbeth. It's a short play, it's an exciting play, it's easy to understand, and it attracts great acting.

I think it's a fair criticism to say that we've gotten our fill of superhero films, and audiences should just have different things to choose from when they go to the theaters.

Let's put it this way: art house theaters are vanishing. They have almost disappeared completely, and that means there's a shift in what audiences want to see. And they have to be aware of that and be realistic. It's as simple as that.

Many theaters are tackling the multifaceted work of black writers - established and emerging. Now the next step is for them to bring in audiences of color and continue to go out to our community and create a continuous connection that extends beyond the one black show in the season.

Other than Caroline's in New York, I pretty much haven't done clubs. That was primarily because I always liked the people and audiences at theaters and bars better.

Back in the 1970s, it was mostly all-black audiences coming into the theaters. So, we presented stories they could relate to.

You cannot expect anymore single-screen theaters to open as one doesn't get enough returns from them. We have to target multiplexes and look at attracting 1,000-plus audiences for each show.

People are not coming into theaters to see movies. Audiences are making up their minds not to see films even before their release. It is a very sorry state of affairs.