Quotes About Record

A record deal is my dream.

I went to Nashville when I was 10. Tried to get a record deal. Everybody was like, 'You're 10. It's not gonna happen. Come back later.'

I made my living as a theater actor before I got my record deal.

My favorite record label of all time is Motown. That era of music was my favorite.

We believe that the Internet is the live concert promoters best friend although it might have crippled the record label business.

I bring in the record label who distributes the music.

I feel like some artists need a record label, and some don't.

I'm not only a DJ. I run my own record label and I work out of my own productions.

I go to the local record store to buy my albums.

I'm the type, when I used to go to the record store I used to buy two or three copies of certain records so I've got a pretty large selection of a lot of 12 inches.

We recorded the record on a Saturday afternoon March 30th and I heard the record for the first time on April 6th. I was driving to school, literally seven days later.

I've recorded 25 or 30 albums. I know that sometimes when you work with producers who are kinda dictators, it doesn't help you make a better record.

In 29 years, I had recorded over 2,200 songs. I was amazed.

I recorded my first jazz record in the '70s.

Yeah, I mean, I'm a beast in the studio. My first record, I finished recording in like two days. The second was three days.

I'm recording another demo for another batch of record labels that we'll shop it around to.

I think, actually, I was the first person to ever sign a simultaneous video and recording deal with a record company.

I don't deny the influence from the first Korn record, which was something we listened to and liked a lot. I liked the rawness of it, and what Ross Robinson did on it, which was why we ended up recording with Ross.

I never had any formal voice training, but it's something I always wanted to do. 'So I negotiated a deal with a recording studio after I gathered enough material for a record. I put a group together and just went ahead and did it. What the hell.

I'm the one who has made all the sacrifices. Those are my American records, not the country's.

Remember the Stax label and how if you liked one record, you liked all the others as well? You don't talk to a lot of people who tell you how much they love their record label. I don't care how many records they sell.

I've been with Def Jam Records for five years and they gave me my first recording contract so for that I'm forever grateful.

In the '80s, the way radio was programmed, if you didn't have a hit record you weren't going to be able to make any more records. That was it, period.

Record companies are not necessarily interested in you realizing your artistic dream. The bottom line is that they got to sell records.