Quotes About Perception

I like men with honest, frank eyes. And that's the reason I cannot talk anyone who has their sunglasses on.

I don't want to be criticised for wearing sunglasses in the sun.

My glasses say a lot about me because I think me in a pair of sunglasses is an image that a lot of people would recognise.

People think that because you might have a feeling toward another male that you don't enjoy women. I love women. I love being around them. But when we'd go out together, we'd kind of almost go out in disguise. Not in disguise, but in a baseball cap and sunglasses.

I met Jack Nicholson, who lived up to his persona, and when we met, he lifted the sunglasses he was wearing at 2 in the morning, and giggling, he told me, 'You look the way I feel all the time.'

My father would play Stevie Wonder in the car, but that never sunk in.

My earliest memory is aged three, seeing sunlight on water and feeling it was really magical.

If you think about Protestant and Catholic or Shiite and Sunni, they are basically the same thing... one eats with their left hand, the other eats with their right hand.

My friends once told me I remind them of the main character from the American comedy series 'Curb Your Enthusiasm.' I thought they must mean a sunny, affable girl-next-door, but instead I was confronted with Larry David! Crabby, moody, perversely neurotic Larry David. And the thing is, my friends were right.

To purposely concoct older characters of a sunny disposition would be as much of a solecism as deliberately fabricating arrhythmic blacks, spendthrift Jews, slacker Japanese and so on.

There's never one sunrise the same or one sunset the same.

I like that time is marked by each sunrise and sunset whether or not you actually see it.

I was looking to show people I could act. I was looking for something that would take me away from the whole hunk riding off into the sunset thing that people wanted me to play after Brown Sugar.

I remember having to take detours around the Hollywood sign to avoid having to see this grotesque poster of myself on Sunset Boulevard.

A lot of people assumed I faded off into the sunset.

In a film, I can show you the beach, the sunset, the roads, while in a play you have to imagine all that.

I do get credit for having a California sound to my music, but I don't think people really know what that means - they think the Beach Boys. I'm thinking more like Sunset Strip in the 1960s and stuff like that.

I think that in my plays you can come in for 20 minutes and get something out of it. I'd like to do a play that would run for days. I don't think time is that important. Nature doesn't hurry the sky, the changing clouds and sunsets.

You get quick money, it's beautiful, there's sunshine, but at the end of the day, you find out it's all a masquerade, baby. It's not what it seems.

Everybody goes and sees 'Fantastic Four,' but nobody sees 'Sunshine.' I'd have a different career if people saw that.

I've turned down all sorts of good things accidentally, too. I read the script for 'Eternal Sunshine Of The Spotless Mind' and thought, 'This makes no sense.' Then I went to the cinema to see it. Well, what an idiot.

We thought L.A. would just be sunshine and happiness all around.

I feel like I was kind of raised to be mechanical, like, 'Hi, I'm Brooke Hogan. I'm Hulk Hogan's daughter. I like cookies and sunshine.'

For me, insanity is super sanity. The normal is psychotic. Normal means lack of imagination, lack of creativity.