Quotes About Perception

A woman would pitch a joke. Nothing. Then a guy would pitch it and everybody would laugh.

Neal Stephenson is great. He can write about a white wall for six pages, and it sounds fascinating. I read the whole 'Baroque Cycle' and 'Cryptonomicon.'

I would never look a gift horse in the mouth. I've had some lovely homemade earrings and, recently, a wall hanging made in the style of Georges Seurat.

When the painting is hanging on your wall for a long time, you don't notice it. You get tired of it, even if it's a Picasso. When the next generation inherits the painting, they sell it. I don't want to be sold.

While all the other kids were out playing ball and stuff, I used to stay in my room and imagine that there was a camera in the wall. And I used to really believe that I was putting on a television show and that it was going out to somewhere in the world.

I just believed in 1979 that prog rock was finished. I just saw the handwriting on the wall. And I believed that if we continued in that direction, our career would be finished. So I kind of led the band to making 'Cornerstone,' which is an album from my point of view which was not trying to be necessarily softer, but more natural.

Most of the time, I don't really give people a chance. I have a wall up. I'm always protecting who I am. Thinking about my brand. I make it hard on people. Sometimes, it's a good thing. Sometimes, it's a bad thing.

And I like the idea of change. Because I don't see why we should hang a painting on the wall and then just not think of it anymore because it's there like a piece of furniture.

We have funny ideas about how people in mental institutions act. We think of drooling and people going booga-booga and climbing the wall. These are exceptional cases.

The pictures we saw before we got down here didn't even touch the reality of what it is like being here. We can be right on the beach with all the devastation and still not be able to imagine what it was like when the wall of water actually came up.

I had not yet gotten into the world of light. But I felt as one who, standing outside, could knock against the wall and hear an answering knock from within.

I remember kind of doing early acting and thinking, 'God, they don't paint behind the sets.' It's a bit of a shame, really - 'Oh, what's on the other side of this wall? Oh, you can see the plywood.' I was really disappointed. I just thought that these things were real, from watching things as a kid.

I just get so fed up with seeing the same things written about me. If I see the words 'ice queen' attached to me, I feel like banging my head against the wall. There's this perception that I can only be in a film if I have a glass of champagne in my hand and a stately home in the background.

When you visit a foreign city you are in it, but not of it, separated by a glass wall. Once, while a student, I was getting dressed in my ground-floor room when a family of Italians crossed the grass to watch, as if I were laid on for their amusement and instruction.

There are plenty of millionaires who would pay millions to hang a Van Gogh painting on the wall, but hardly one that would have ever had the crazy nut over for dinner. I feel like the big companies are like that with musicians. They'll say, 'We love music! It's all about the music!' - but if a musician shows up at the door, they call security.

When my body is covered and disappears, it's not about the relationship between me and the wall, but the relationship between me as an individual and those slogans which are used to fool the public.

There is a wall of myth around royals and A-list celebrities, and that makes us wonder what they are really like. We see them on magazine covers so often that we think we know them intimately, and we want to learn more. I like to burst that bubble a little.

Lance Armstrong has a 17th-century, 15-foot Spanish fresco of the crucifixion hanging on the wall of his Austin mansion. This doesn't mean - and some of you Armstrong acolytes might want to sit down for this - that Lance is Jesus.

I always tell people there's some kind of wall that you have to break through to see the beauty of L.A. The first few times I came here, I was like, 'I don't know about this place.' Then one day, it just totally flipped for me. It was crazy.

These days, checks are direct-deposited, money comes out of a machine in the wall, and we swipe a plastic card to make a purchase. In other words, your kids can grow up thinking money comes in an endless supply if you don't show them otherwise.

When I called Clinton a Wall Street puppet, they called me a right-wing extremist. When I said the same about George W. Bush, they called me an anti-war communist. Now that I'm against Obama for the same reasons, mainline conservatives embrace me. When I attack the next right-wing 'savior,' they're gonna call me a communist again.

I acted all the way up until Princeton. It was just one of my favorite extracurricular activities. Then I got to Princeton and had a really conservative vibe. All my friends were planning on law school, med school, or Wall Street, and suddenly acting seem like a really risky proposition.

There are those on Wall Street and in the plutocracy who feel that Geithner is a hero who deftly steered the country from economic ruin. To many ordinary Americans, however, he is considered a Wall Street puppet and a servant of the so-called banksters.

What I immediately recognized about Wall Street in 1983 was that it was a continuation of my career in theater. Wall Street is a big theater, and it's all illusions.