Quotes About Perception

I'm not saying I talk to cartoon characters all the time, but the characters are very real to me. In a very non-insane way.

I grew up on 'Spongebob.' If I had known there was an even better cartoon out there like 'X-Men,' you best believe I would have grown up on that.

As a cartoonist, I'm a caricaturist. First you find out what somebody really looks like, and then you find out what they 'really' look like.

Some of those cartoons look nothing like me.

Everything can be known and, in some cases, everything is known.

The 'cash me ousside' girl isn't even a person. She doesn't exist.

I didn't have a lot of cash... but in my mind I looked like Lenny Kravitz!

I particularly remember with 'Casino,' everyone was like, 'It's not 'Goodfellas!'' No, it's not 'Goodfellas.' That's right: it's a different movie. Now, everyone thinks 'Casino' is a masterpiece.

Before 'Lucky Louie,' nobody would ever cast me to play a mom or a wife; nobody ever saw me in that role, which is weird, since that's who I really am.

Instead of playing something heavily, I play it lightly. Since people like to cast cyclically, once you've done one thing, people want to put you in that bag again. And since I want to work, I let it happen.

I like to create characters that are larger than life. But it's funny because I do a lot of bad guys, and it's because, being European, I usually get cast as bad guys. It's just how it is.

You're always being cast for what you've been in last.

The cast was huge, but I never saw anybody.

The cast called her Lucy, but everyone else called her Mrs. Ball. She was honest with people. If she liked you, you knew it. If she didn't, you knew it, also.

I keep getting cast as this bad guy, and I don't know why.

I always look at people and think how I would cast them.

Every movie I've done, when they cast me, they knew I'd probably do it for a toffee apple and a Frappuccino.

I don't tend to get cast in the theatre much. People assume I come with all this baggage. But they do cast me in films. In films, I'm a nobody.

I always wonder why people cast me in anything.

When a casting agent sees me, he kind of knows what he's getting.

People are always casting me for what they call my 'authority.'

I always quite like the idea of casting against type when I'm looking for and trying to understand who a character is.

If a casting breakdown said 'All-American Type' or 'Lead Role,' I knew they weren't thinking of me.

People look upon a person in TV as someone they can see for nothing. This is carried over in casting pictures. They're afraid; they will not cast a TV lead to be a lead in a movie.