Quotes About Perception

The minute viewers callin or write about your looks, they were not listening to what you were saying.

It's always exciting to explore adult roles when the vast majority of viewers that have seen me on TV know me from 'Glee,' from something of a different tone.

Magic's about understanding - and then manipulating - how viewers digest the sensory information.

Ultimately, criticism that 'The Real World' has devolved into a lesser enterprise comes from the viewers who came of age alongside it, not the teens of the moment that MTV has always existed for.

Viewers who invest two hours in a superhero movie often leave feeling entertained but somehow dumber.

Interviews, and hence interviewers, are there to help shed light, and to let viewers judge for themselves. We are not judges, juries, commentators or torturers - nor friends, either.

When you look at Kennedy and Nixon, TV played a crucial part in Kennedy's popularity. He was incredibly photogenic, while Nixon was this scowling figure. American viewers judged him on his appearance on TV.

Old-school viewers remain adamant that 'The Real World' has deteriorated, as if the original enterprise were some pristine experiment that got sullied as the conditions in the lab got sloppier.

I've always been interested in the manufacturing of narratives, identities, and ideologies, and how they are embodied and negotiated by viewers.

My viewers are smart. They know I have a contract with a TV show and that I make a lot of money.

I run into viewers all the time who have no idea I've moved to N.Y.C. I think, for many of them, a studio is a studio is a studio.

Fifty one per cent of 'Time Team' viewers are not of my gender. And that surprised me, because I thought it'd be at least 60 per cent male.

We often come across certain directors who mention some of their own flops as their favourites. They will blame the viewers for not realising its merits. I think that is plain hypocrisy.

The films of Gregg Araki may not be classified as horror, but they have been known to horrify viewers.

I didn't set out to be liked - everyone's supposed to be terrified of me. I'm surprised by the amount of viewers who want the Chaser to win!

'The Raikar Case' will offer the viewers with a kind of such a real experience as it truly delivers more than what meets the eye.

It's hard for me to say what viewers will take from a thing because I try not to think about that when I'm making it.

I was concerned about the viewers' acceptance. But people have found a comic slant in me, which I was never aware of.

I'm sure the hard-core feminist will say we're trapped, but I think viewers see how empowered we are.

Viewing Israelis and Palestinians from a psychological perspective, they would both be seen as victims of abuse; that is how they both understandably feel, and it's how they both understandably behave. The Jewish psyche is in victimized reaction to the Holocaust, and the Palestinian psyche is in victimized reaction to the Israelis.

For a long time I felt like I was fighting my age, like I was constantly trying to prove to people that I was a savvy peer, and I felt them viewing me as a kid. I was a cocky kid, and I felt like I was an adult at, like, 9, you know? I think that's because my parents always treated me as an adult.

If you're a guy who's always been the fun-to-be-around teddy bear, then all of a sudden people are viewing you as sexy, it's nice. It's great not having to be the plucky best friend or the comic relief anymore - I love that.

I do think 'Gogglebox' is extraordinarily insightful, and I think if politicians want to understand how we are viewed at home, it's quite recommended viewing.

We notice in others only those things that relate to ourselves. For example, you could find someone hilarious and brilliant, and I could find the same person idiotic and annoying. It's the same person doing the same thing, but because we are viewing them from our own unique perspectives, they mirror back to us something different.