Quotes About Scene

There's a burgeoning film scene in Romania.

It feels so great to be back on the scene.

It's a first for me. It's my first nude scene.

The political scene is already so turgid, it doesn't need more of that from me.

When I first see the dailies, I look only at myself, but then you start to see the scene.

A lot of actors try to sabotage other actors, and that's sad because then you're never going to get that beautiful scene.

Acting in a scene is easy.

You can't act for the editing. You just go in and do the scene the way you think is right.

Jimi was always at The Scene when he was in New York and we played many times together. He was just everywhere - he went out and jammed everywhere he was.

Long scenes of emotion are quite difficult - you've got to build up to them and make sure you're in the right emotional space.

I think 'Easy Rider' might have been the first time that someone made a film using found music instead of an orchestral score. No one had really used found music in a movie before, except to play on radios or when someone was singing in a scene.

What I do have to get across is the truth of the moment within the given scene. It's my job, as a director and screenwriter, to create the environment in which all those moments will come together eventually.

Often in television, you read a script and you're amazed that you get the scene given to you.

Every time I wrote a school scene, I thought of that drama studio, because that's where I was a bit lost at sea.

There was no support system in Seattle for musicians.

I run a fast pace on my sets, man. I like the energy of the scene to be the energy on the set. I think it affects the actors, and I think it affects the crew. There's that sensation like you're really shooting it for real, like in a documentary.

Alexis and I actually shot the very first scene of 'Gilmore Girls.' What I thought was fast was nowhere near what has become known as 'Gilmore pace.'

I grew up in Oakland, California, and there was a really active scene in the Bay Area. Everyone else knew it as the 'Hyphy Movement' of Mac Dre, E-40, and The Pack.

I like acting for myself as a director. I act and I know that I'll have a chance to have some say in what gets used and that I'll be able to give myself enough takes and be on the same page as myself about how the scene should play.

You have to examine a scene on the page first. Then you get into the basics of acting: Who are you? Who are you talking to? How do you feel about that person?

I think everyone's different but in comedy, I try to do my scene to make the director and the other actors laugh. If I can make them laugh and we have the same sensibility, then I'm on the right page.

The great thing about making an ensemble show is it becomes modular. It might work on the page to cut from one scene to another, but on the screen, it's more powerful to take that second scene and move it first or move it later.

If a scene is three pages long, quite often people break it up and do a page, say 'cut' then move on to the next bit, they do it in cuts. I don't really like doing that; I like to go through it all in one organic run, then give notes afterward. A little bit more like theater.

Everyone who appears in a scene gets paid.