Quotes About Scene

I do readings at the public library. I just did a benefit scene night for my old acting teacher.

Scene study is isolated. I suppose it's interesting, but I don't think it really teaches you about a throughline. A throughline is something you feel when you do one scene followed by another followed by another.

I leaned toward him, hoping the corset top would do half my work for me in smoothing the matter over. "Do you remember that one scene in The Glass House? The one where O'Neill walks that waitress home?" He raised an eyebrow. "Um, I wrote that scene.

on scene execution] Interesting isn't the point...storytelling momentum and relevance is .

Or we skip all that and just show him getting out a taxi in front of the Hotel Northwestern.

The world of chemical reactions is like a stage, on which scene after scene is ceaselessly played. The actors on it are the elements.

Mike Mansfield had a saying: "It only takes one senator to make a scene. But it takes more than one to make a difference." Okay, he never said that. I made it up.

Ah, reality TV: where opportunists delight in exposing opportunism! It's kind of like the indie music scene.

In his imagination he performed the 'composition of place' reconstructing the scene from what he could remember of the classics, so laboriously and unprofitably rammed into his head at Harrow.

Very often a change of self is needed more than a change of scene.

This is the nature of the club scene, after all: being surprised by the familiar and pretending it's new.

protagonists on a vaster scene and as champions of a high and invincible cause, for which the stars in their courses were fighting

If being young is a crime scene," I said, "the evidence from that night is everywhere.

Of course, I hadn't anticipated a firearm being discharged — how novel! — and the guards already did investigate the scene." She gave me a pointed look.

The CSIs were still working the crime scene and the young had a taste for the ghoulish.

I enjoy some physical stuff. But if I had a choice between playing a scene where it's raining, it's terribly cold, I'm wet and I'm being drowned and playing a scene with dinosaur eggs in a laboratory, I'd probably take the latter. It's warmer and generally more comfortable!

There's one scene where I took my t-shirt off. I was wearing a t-shirt and a hoodie, and I took my hoodie off and took my t-shirt off to give to the girl because she got her top dirty or something. It was like, why don't I just give her my hoodie - that makes no sense whatsoever! I just took off another layer just to take my top off.

In 'A Room With a View' there's a lovely scene with Julian Sands and Helena Bonham-Carter in a wheat field. It was simply the right time of day: late afternoon, that golden light, wheat and poppies... So romantic. But I had no idea it would turn out that well, since we so rarely shoot in a studio.

Well, I've learned something from Michael Robison just about maximizing your shots. For example, if I'm shooting a scene and someone's driving at the wheel, you could steal an insert in the same shot.

I did put on weight for the last half of the film, but the Ferris wheel scene was shot with a harness on me so that if I fell I wouldn't fall all the way.

I played a paraplegic on a show called 'Neighbours.' Just turned up on set, sat in a wheelchair. The producer came up to me one day and said, 'We have to cut around that entire scene because your leg was moving.'

When you audition for shows in Hollywood, you go in, you do your scene, maybe you get an adjustment. It's sort of easy, and a lot of times it just feels sort of rote and simple. Whereas when you go to New York and you audition for plays, you walk out sweaty and intimidated and nervous and doubting yourself as an actor.

No traveler, whether a tree lover or not, will ever forget his first walk in a sugar-pine forest. The majestic crowns approaching one another make a glorious canopy, through the feathery arches of which the sunbeams pour, silvering the needles and gilding the stately columns and the ground into a scene of enchantment.

In the '80s, we played the Roxy and the Whiskey with our bands.