Quotes About Scene

A lot of people don't know that the Go-Go's came from the L.A. punk scene.

The Knack were a very, very powerful band, and you got to understand, when they came in, all the punk stuff was still going on. There was an amazing conflict within the scenes.

Even within the context of the alternative scene I was a part of, within punk and hardcore and the alt scene, there was a focus on self-destruction.

When I got involved in the punk scene, my notion of what a career was changed. I realized that a career in the arts was actually about having the people and community to support you making your art.

I came up in the punk rock scene of Seattle.

I feel like L.A. is more of a showcase, and Chicago is a pure comedy scene where you're doing comedy for comedy. You're doing comedy actually for the audience that's there.

It's one of those scenarios where no, I never imagined that I'd be directed in a love scene - not even a love scene because it's kind of a hard-core sex scene because it's kind of just purely played for this carnal venting.

As a successful artist it is my job to give the indie scene as much of a push as I can.

Scorsese is a fan of improv and is always pushing actors to think up something that would make the scene more fun. He loves any idea that helps the scene be alive.

My music experience living in Baltimore was life-altering. To this day, there is no scene that works as hard or puts as much effort into their art.

When you're working with a big star, you always wonder what it's going to be like. Hugh Jackman puts you at ease within 10 minutes. He has such a wonderful energy and is so generous when you're doing a scene. He's just so funny and friendly and playful - he instantly becomes your friend.

Inevitably, when a scene isn't working for me, it's because I'm being self-conscious, and I'm not putting enough of my focus on my fellow actor.

Honestly, as an actor, all I need to know, the way I kind of look at a scene, is like a puzzle. There are certain puzzle pieces that are bigger than others, and all I need to know is if this is going to fit here to make this part of the puzzle work.

The way I build stuff in my mind, it's sort of like a puzzle for me. I always talk about it like, when I'm writing a scene there's a certain feeling I'm trying to create. I'll have my list of scenes and it's more like feelings, these notes I want to hit.

We've never adopted Americanisms. We are a very British band from a very British cultural scene. We fly that flag and that is something I enjoy.

I have a fond appreciation for the Canadian culture and the Canadian food scene in general.

An effective found footage movie is much harder to make than an effective traditionally shot movie. A crappy one is much easier to make because you take your camera, and you shoot the scene, and you're done. But to make it effective, they're actually much trickier.

We were very fortunate to have been on the scene when we were.

Some people are brilliant on the first take, some people are brilliant on the fourth take, and when you are doing a group scene, you kind of have to figure that out.

In the wake of the San Francisco scene, ears were alive. It was a listening generation.

Once the big lights come in, you can feel self-conscious. How can you capture the scene without ruining it and freezing people up? You keep it small and lean.

I think every character actor at some stage likes to carry a film. It can be extremely liberating to just come in for a scene or two and do your thing. But I find it frustrating if I'm just doing little bits here and there for too long.

The signal for the train's departure was a very bright red; that is about as passionate a statement as I can get into that scene.

It was a scene of such beauty it caught all his attention. Some things beggar likeness, he thought. He