Quotes About Scene

I hate when a director says to me 'Here's how I envision this scene'...excuse me? It's right here in the script - I 'envisioned' it FOR you. Do what I wrote. If you want to 'envision', you should become a writer. Where the fuck were you when the page was blank?

Alas! we wake: one scene alone remains-- The exiles by the streams of Babylon.

L.A. has a fantastic car scene and because the climate is so gentle, cars can last forever.

The flourishing of the whole local and foodie scene is dependent on a policy background of liberalisation, deregulation and privatisation.

pleasure from observing the urban scene completely objectively and aesthetically.

You don't always have to render the feelings of your characters, but you must know what they are in every scene. That way, the actions and dialogue will have an organic complexity that breathes life into fiction.

You know what this is? Lula said. This here's plane rage. Plane rage isn't allowed. It got taken off the allowed activities list along with eating. If you make a scene they'll hual you off in leg irons. Stephanie said. I'm tired of being stapped in here, too, Lula said. This seat belt's too tight and it's giving me gas. Anything else? There's no movie.

Going from Miami to L.A., it's such a different scene. In L.A., it's always dressing to impress. Miami is not, unless you go to South Beach.

'Evita' was four pieces of slick paper and a record album. It's the most scary, to sit down and dictate a musical scene by scene. It was a musical unlike anything I'd ever seen before myself.

I'm a realist - yes, I know: darn, I'm unlikely to have a love scene with Chris Hemsworth anytime soon, if ever. But I also believe that persistence and hard work pays off.

There are a lot of times that if a detail in a scene or a beat, feels unnatural, they'll allow me to explore another direction to go until we're all comfortable with what we are doing.

There's something very surreal about driving a truck, looking in the rearview mirror, and seeing 20 cop cars behind you. Even though you know, 'We're just shooting. This is just a scene; we're making a movie here,' it's very unsettling.

I never go into a scene - ever, ever, ever - thinking, I have to make myself more empathetic toward the audience. Once you start doing that, you get into really dangerous territory. I think you start to become kind of untrue to the character.

It's very unusual on 'Game of Thrones' for there to be a deleted scene because the scripts are pretty locked in. There's rarely a reason to say, 'Hey, we don't need this scene.'

A comedy scene can't really have two weirdoes in it. It doesn't make any sense that way, so you need someone to ground it and call out what's unusual about this person and this scene. Early on, I got pretty good at doing that, and I felt pretty comfortable doing that.

It's great to bring urban music to the commercial scene.

It's very frustrating making a picture in Paris. We work hard all day at the studio to get a love scene just right. Then, on my way home, I see couples on every street corner doing it better.

You jot down ideas, memories, whatever, concerning your real life that somehow parallels the character you're playing, and you incorporate that in your scene work.

It is very disappointing to see the Punjabi music scene of today. The lyrical quality has deteriorated; it is only people like Sartaaj and Gurdas Maan Ji who are sticking to their roots.

VR should be more emotionally involving, but that doesn't happen automatically by just taking a VR camera and sticking it onto what would be a traditionally blocked scene for 2D.

Overall, I was extremely impressed with the fashion scene that Stockholm has to offer, both on and off the runways.

Auditioning is so different than doing the work in some ways. It's very much about solving the scene, I think, and coming in with a strong take, but not having it set in stone.

Comedy is similar to hockey... in only one way. You get a lot of credit for assists. So I try to serve whatever the intention is, be it the joke or the story or the scene or the moment or the kiss, even if it's not my joke or moment.

I was always very interested in the storytelling decisions that went into directing. It just held this real allure for me. You know, if we're doing a scene at a dinner table, they weren't all shot the same. 'Why was the camera here for one moment and there for another?'