Quotes About Scene

I always believe that editing is the kind of thing where you want to cut into a scene a little bit after it starts and get out before it ends.

It's true that we come from the electronic scene in the '90s, but maybe just two years before that we were not listening to electronic music. We like music in general, and maybe we're more close to the rock energy or the rock aesthetic.

Few incidents in history excel in pathos the scene of the first mother plying with heaving breast and tremulous fingers, her crude needle on the few fig leaves which her dejected husband plucked for her.

In the days when decapitation was public, not only were small boys sent to witness the ghastly scene, but they were made to visit alone the place in the darkness of night and there to leave a mark of their visit on the trunkless head.

The scene that Cortés described so vividly - the arrival of the Spanish invaders in the Mexican capital - took place on November 8, 1519.

For a moment, all movement ceases and the scene is one of crystalline stillness, silent except for a slow, melodramatic heartbeat.

I was writing a scene where a guy was choking another guy to death. You can go online and type 'chokeholds' and watch scenes where martial artists choke each other out. You can hear what noises they make when they go unconscious, see how their bodies flop and everything. YouTube is amazing for the more detailed stuff.

I hope this scene isn't playing out all over the nation. People like me struggling to grab what they can. Whole families, even. Grasping at the leftover shards of their lives.

I feel like Drake saw that I was up-and-coming in the gaming scene, and he thought it would be a perfect way to just tap into another source of viewers by playing with me. He also might have just wanted to game. I'm not sure.

In films, you do a scene, and that is the end of it. On TV, the cameras capture your real self on a daily basis; it reaches out to viewers across India.

Dave Van Ronk, for those who don't know him - probably most don't know - was a folk singer. He's kind of the biggest person on the scene in 1961 in the folk revival in Greenwich Village, biggest person on the scene until Bob Dylan showed up.

I started buying vinyl records when I got into punk music because, in the punk scene in New Jersey, vinyl was more like a necessity than a luxury.

I think there's a natural system in your own head about how much violence the scene warrants. It's not an intellectual process, it's an instinctive process.

My favorite - my very favorite movie, which I suppose is a bit of a guilty pleasure in that it's like, you know, every scene, you know, pushes every button, is 'True Romance' directed by Tony Scott with Patricia Arquette and Christian Slater, and it's a fantastic, fantastic film, very violent, very romantic.

People in Philadelphia are a world apart from New York. They're very different from people in the New York scene. The New York scene wants your visibility and wants your money.

Theatre taught me to convert a scene into a vision.

That's the only way I can control my movie. If you shoot everything, then everything is liable to end up in the movie. If you have a vision, you don't have to cover every scene.

Despite my solitary life, I have found infinite joy in books and writing, and am by far too much interested in the affairs of the world to quit the scene before Nature shall claim me.

The scene was horrid, yet it had the purity of a stanza from a ballad come to life, a ballad composed about tragic events in some border hell.

Sweet is the scene where genial friendship plays the pleasing game of interchanging praise.

England is so defined, the class system, your education. I think what was unique about the Canterbury scene.

I was a bit of a loner at school because I was into what I was into, that sort of scene; that is where the whole mod thing started, when I was 14-15.

I am lucky to live in Austin, so I can enjoy the live music.

Whatever films I make, the mandate is that it should touch the audiences and engage them from the first scene.