Quotes About Scene

I like having a laugh, I like feeling really comfortable on set, so with a sex scene, it's always really planned out for me beforehand.

I have always felt that doing too much of homework makes the performance look plastic. I don't even watch the monitor after I finish my scene because I can't reprise it. I just go with the flow.

I like a director who is very observant and is watching what I'm doing and noticing what I'm doing but is giving me time to figure it out. They don't jump right in and give you a note before you've had time to really search on your own with how to do a scene. I like a director that encourages me to be playful.

I just focus on getting the first scene right, with a few lines about the overall plot, and then the book grows organically.

In 'Zombieland,' it was such a freewheeling plot it almost didn't matter what the characters were doing scene to scene as long as there was a consistent banter.

I gotta say, Pluto is such a great character, and if I ever got to work with him, I'd be very happy. The scene where he gets caught in fly paper, he's such a great dog!

The social scene at the Harvard I knew was outside the rules of literature. It was less poignant.

Usually climax scenes have emotional or action scenes but Podaa Podi' has a climax with a dance performance.

I don't go to clubs. I don't know what club mixes are supposed to sound like.

If two actors can communicate well during a scene, it works and makes for good chemistry.

I think there was a lot competition in the rock scene.

Whenever I watch a movie I like to imagine what sort of music I might compose for a scene, to create a particular kind of atmosphere, because when I see something I hear something.

When you're shooting concert scenes in films, we try to bring in, where appropriate, as much of a sense of live performance as possible.

That's always something that's really important for an actor - to find an opportunity to do a scene where there is a moment like that, where you manage to connect with everyone.

What I enjoy most with acting is when it's a good scene with one or two other actors, and you feel a strong connection, and you don't know how you're going to respond, and everybody is listening to each other and getting affected by each other, and even though you've rehearsed it many times, it feels like it's happening right now.

It's one thing to plan and imagine what you want on a film, but when you actually arrive and survey the scene, there's a moment of, 'Oh my God, what was I thinking?'

For real sushi lovers, Sushi MiKasa will prove to be what's been missing from the Miami dining scene.

I am fascinated by crime scene investigating. I swear, I wish I was a crime scene investigator sometimes!

I'm such an action movie junkie that as an action fan, because action scenes are so heightened, we could never really picture ourselves in that scene. So when you're watching an action movie, you experience an action movie more outside of the aquarium: you know you're out of the aquarium looking in at all the swimming fish that are in there.

Of course I danced a lot when I was making 'Swingers.' The swing music scene was big in Hollywood, and I went to places like The Derby. And, after I wrote it and was trying to get it made, I would go every week so I'd be good at dancing.

I really, really like Nicole Richie, and the only reason why I always bring her up is because I'm impressed with her style evolution. This is someone that came onto the scene that people didn't necessarily view as a style icon, and she completely switched up the game. And I like how she takes risks with fashion.

I think the thing that L.A. had on Sydney is an awesome music scene, especially for what I do.

Acting can be very intimidating, because you are not in a scene alone, you have to be in sync with so many other people.

However, once the priest has been arrested, the two sit together beside the corpse of the bank robber in a hut and speak amicably while outside there is hard rain – a scene which for the first time crystallizes the dialogue between Catholicism and communism that would be so much a part of Greene's later work.