Quotes About Timeless

Women and music should not be dated.

Admittedly, it is really our duty, as artists, to hold up a mirror to our own era; but, on the other hand, these works have lives of their own, and they're still alive today.

It's important to always mix the past with the present. I think that makes it feel more authentic and real.

There's an interesting mix to 'Robin Hood' because it's kind of modern but medieval. There is a blend of adventure with a very modern feel.

You can't go wrong mixing classic graphics in black and white. It's very Parisienne.

The people I choose as models have a quality that seems to contain the past, the present, and the future all at once. It's hard to explain. I can look at 100 people in a room but only find it in one person.

I like all the '90s girls - Amber Valletta is so beautiful. I even love all the '60s models, like Twiggy, Jean Shrimpton, they were so cool.

I'm as old-school as it gets in this modern era. I'm the last of a dying breed.

If you think of 'Liberty Valance' or 'The Searchers,' there are moments in there that you'll never, ever forget... And it does not matter what century you are from.

Even in the centuries which appear to us to be the most monstrous and foolish, the immortal appetite for beauty has always found satisfaction.

Tell me what you feel in your room when the full moon is shining in upon you and your lamp is dying out, and I will tell you how old you are, and I shall know if you are happy.

Anything as good and true as that moral cannot be new at this late date.

I would say more power to women who scream from the rooftop about something wrong done to them, whether it is after 10 years or 20 or 50... It doesn't make a difference.

Blue jeans are the most beautiful things since the gondola.

Baseball is one of the most beautiful games. It is. It is a very Zen-like game.

'Let's Get It On' is a classic Motown single, endlessly repeatable and always enjoyable.

I would describe my sound as classic Motown.

Read not the Times, read the Eternities.

It will be enough for me, however, if these words of mine are judged useful by those who want to understand clearly the events which happened in the past and which (human nature being what it is) will, at some time or other and in much the same ways, be repeated in the future. My work is not a piece of writing designed to meet the taste of an immediate public, but was done to last for ever.

I have written my work, not as an essay which is to win the applause of the moment, but as a possession for all time.

Mazie sits with a sense of non-being over her – of it being someone other than she sitting there timeless, suspended in a dusky room, feeling a voice gathering around her, kind still hands of sound flaring into words meaningless and strange, meaningless when one tries to understand, but meaningful for a fleeting second.

Stories are for eternity, when memory is erased, when there is nothing to remember except the story.

I'm young and happy. I'll never die.

A nine-year-old girl, just a kid, and yet there was something ageless in her eyes— not a child, not an adult — just an ongoing everness, that same pinprick of absolute lasting light that I see today in my own eyes as Timmy smiles at Tim from the graying photographs of that time.