Quotes About Actor

I don't consider myself an image-driven actor. I believe audiences come to watch my films because they are entertaining and not because of my image.

I don't ever do those kind of epic, huge, green-screen movies.

There are not that many jobs as an actor where you don't get to know what your character will be doing from episode to episode.

The actor's dream is to come in knowing that you're only supposed to do one episode and then come back because people liked it.

It's part of an actor's equipment to project a voice.

I'm the kind of actor who has ventured into escaping from me.

I'm essentially a jobbing actor. If I'm out of work, I'll be the back end of a donkey.

For me, I always have to establish a reality for the character. In very actor-y terms, you just have to understand his reality.

I'm new to this TV thing, at least as an actor. It's a challenge. The thing I have to adjust to is the changing directors every week. That's new for me. I tend to establish with a director - and then two days later, he's gone.

I don't ever want to be an established actor as I don't want this struggle to end.

I have auditioned for a lot of films and at the final stage, I have been told that an established actor is doing the film. This has happened to me a lot of time.

An Australian actor wouldn't have the experience to feel how it is to be in Australia as a European.

I've never liked Welles as an actor, because he's not really an actor. In Hollywood you have two categories, you talk about actors and personalities. Welles was an enormous personality, but when he plays Othello, everything goes down the drain, you see, that's when he's croaks. In my eyes he's an infinitely overrated filmmaker.

With his bushy mustache and caterpillar eyebrows, Buckner was a dead-ringer for Harry Reems, the porn actor who'd just been convicted in Tennessee in April for conspiracy to distribute obscenity across state lines, thanks to his appearance in 1972's massively popular Deep Throat; and just like Reems, Buckner felt he was being prevented from making full professional use of his stick.

I was sick and tired of being an English actor who did a lot of American movies because I was cheap and good.

I'm a grinding actor. That's how I've always viewed myself. You go from one job to the next.

I became popular very young. I viewed myself as just a young actor trying to figure out how to do well, and, you know, making mistakes and learning and growing.

When I get saturated by commercial films, I'll probably do another film like 'Siskiyaan.' But yes, as a viewer, I really enjoy commercial cinema; so obviously, as an actor, I would love to be a part of one.

I think when your image becomes so big that it's hard for a viewer to see a character, then I think you're in danger as an actor of being unable to perform what you should be doing.

I love Bollywood as a viewer, but going in front of the camera and singing and dancing is not my thing.

The difference between a regular camera and a 3D camera, for an actor, is really no different except that the turn-arounds are longer. It takes a lot longer to set up a shot because the cinematographer is really trying to set up a whole world, so it can't be more intricate and more beautiful to the viewers, in 3D.

Theatre is an actor's medium though behind the stage there is a playwright, director and perhaps in some, a music composer too, yet the actor is the one who ultimately tells the story to the viewers.

Any of Bette Midler's concerts should be required viewing for every actor/performer. She has the audience in the palm of her hands at all times and can switch emotions on a dime: Great singer, great actress, great comedian - fearless.

I was shooting for 'Kahaani' and 'GOW' back to back. I was in a village on work, where a man extended a paper to me. For a minute I thought he wanted another actor's autograph. I looked back and forth, but there was no one. That was quite an experience.