Quotes About Money

There's a lot of guys that made big money in wrestling because they just projected such a realistic character. And they weren't necessarily great athletes. Junkyard Dog played football, Junkyard Dog the wrestler, mechanically in the ring he was just not that good. His gift was, unbelievable work on the mic. He had charisma coming out of his ears.

You know a lot of times wrestlers get too full of themselves. They can't separate themselves from the characters. They get used to the excitement, the energy, the lifestyle and the money and with a lot of these guys, when it stops, they self-destruct.

I just want one fight. Because, like, for me, it's not about the status, not about the glory. It's not about the money. Like, I just want to throw my hands and see what I'm made of. And I think that wrestlers and fighters have that same fighting spirit.

I got a bad conduct discharge, was at home for a few months in late '99, and basically said, 'Dad, I want to give wrestling a shot. I sure as hell don't wanna go to college, and the Marine Corps wasn't for me. And I need to make some money, so let's see if I can do it.'

If you go to an ATM for a hundred dollars and it keeps spitting twenties, when would you walk away? When it wasn't spitting twenties no more. As long as you can take the money out, you'd stay there. That's what the wrestling business is like.

I certainly would have regretted not getting into wrestling. It's been very lucrative for me and I've been fortunate to get into it and make money and not do anything stupid where I invested in something that collapsed.

In my era of wrestling, there were no guaranteed contracts, so it was inherent that you draw the crowd in to make money.

I got no support from USA Wrestling. I was competing against professional Russians that do nothing but wrestle for a living, and I was forced to take a job working for this lowlife loser, John du Pont, who I didn't want in my life. I just wanted the money.

I am into professional wrestling. Only Greco-Roman and freestyle wrestling can qualify in Olympics. I chose professional wrestling for fame and limelight and good money.

I got into wrestling to make some money, see the world, and meet girls.

Well, I called him and I said, Mr. Wright, what can I do? Universal offered me a contract $300 a week. He says take it. You'll never get that money from me.

The only way to get love is to be lovable. It's very irritating if you have a lot of money. You'd like to think you could write a check: 'I'll buy a million dollars' worth of love.' But it doesn't work that way. The more you give love away, the more you get.

I want the last cheque I write to bounce.

When you're rich you don't write checks.

What an author likes to write most is his signature on the back of a cheque.

It's disingenuous to... pretend the sources of our money don't impact the policy we write - you just can't serve two masters.

I am a book reviewer. I write for a glossy magazine called 'SCI FI.' The money is not life-changing, but it's a low-stress gig. Publishers send me their books. More than I could possibly read. I pick a few and write about them, put a very few others on the shelf, to be perused at my leisure, someday.

I think women have always been funny. But when Tina Fey became head writer at 'Saturday Night Live,' the culture shifted, and women gained a bigger voice in comedy. It's not as if Hollywood producers are feminists. It's more that Hollywood said, ''Bridesmaids' made us so much money, all we want now is funny women.'

I think any writer is a fool if he doesn't do it for money. There needs to be some kind of incentive in addition to the project. It all goes together. It's fun to sit there and think of characters and get them into action, then be paid for it.

There are three reasons for becoming a writer: the first is that you need the money; the second that you have something to say that you think the world should know; the third is that you can't think what to do with the long winter evenings.

I think my first story sold for $550. This was in 1954, and it seemed like quite a lot of money, and I said to myself, 'Hey, I'm a professional writer now.'

Writing became an obsessive compulsive habit but I had almost no money so I thought about being an urban firefighter and having lots of free time in which to write or becoming an English teacher and thinking about books and writers on a daily basis. That swayed me.

I am not a contest-enterer by nature. But contests - and their entry fees - are often the main way literary journals raise money to, you know, publish their issues. So entering contests helps support the journal, which also helps support the writers they publish.

There's exceptional work being done on television. Some of our great writers are writing for television. When you have things to choose from, you typically go after the writing - unless you're going after the money. There are fewer opportunities in film to make money with good writing, unless you're an action hero.