Quotes About Pornography

Perhaps violence, like pornography, is some kind of an evolutionary standby system, a last-resort device for throwing a wild joker into the game?

For many abusive men, pornography has shaped their sexuality since they were teenagers or even younger. It has helped to form their view of what women are like and what they ought to be. When a graduate of what I call "The Pornography School of Sexuality" discovers, for example, that his partner does not find a slap in the face arousing, he thinks that's evidence of something sexually wrong with her.

Lucas was forced to admit it: "No. Not absolutely sure. But pretty sure. The other possibility is that the people who paid for the porn to be dumped on Porter Smalls, knowing that doing so involves a number of felonies, are breaking the link between themselves and the pornography. Breaking the link very professionally. I did the obvious: I looked for professional killers. The only ones I could find"—Lucas nodded at Carver and Dannon—"are employed by you.

With Dannon, he had Quintana's belief that Dannon was the man behind the phone call. The phone call indicated knowledge of at least the planting of the pornography on Smalls's computer, and from there, inductively, the murders of Tubbs and Roman.

Pornography and its slightly more demure cousin, advertising, present an ideal world, and the claims of the ideal strain and stress imperfect reality.

Don't cohabitate. Don't fornicate. Don't look at pornography. Don't create a standard of beauty. Have your spouse be your standard of beauty. This is one of the great devastating effects of pornography: you lust after people and compare your spouse to them. It's impossible to be satisfied in your marriage if you don't have a standard that is biblical; that standard is always your spouse.

The English were fascinated with the Italian people and their amazing Epicurean culture. Italian poetry, painting, pornography, music, drama, fashion, wine, women, cheese, anything Italiano was a premium commodity in London during Shakespeare's day.

Pornographers are the enemies of women only because our contemporary ideology of pornography does not encompass the possibility of change, as if we were the slaves of history and not its makers. Pornography is a satire on human pretensions.

Pornography is the instruction. Rape is the practice, battered women are the practice, and battered children are the practice.

Thus Hawkes (1975)maintained that pornography is not explicit sex, but 'uncaring sex,' but could add that '[t]o me, censorship is pornographic.

Romantic love, in pornography as in life, is the mythic celebration of female negation. For a woman, love is defined as her willingness to submit to her own annihilation. The proof of love is that she is willing to be destroyed by the one whom she loves, for his sake. For the woman, love is always self-sacrifice, the sacrifice of identity, will, and bodily integrity, in order to fulfill and redeem the masculinity of her lover.

Pornography is the industrialisation of erotism.

We have a thousand machines for making war but none for making peace. We have computers and iPhone apps that can make millions out of a tiny change in exchange rates, but none that can rescue the poorest countries from their plight. We know how to make Internet pornography, but not how to repair marriages. The very objectivity or neutrality of scientific knowledge as commonly conceived has played into the hands of the gods we secretly worship.

At its worst, the woke cult of transgenders is a cross between voyeurism and morbidity, a fascination with the sexually bizarre, a politically correct version of snuff pornography. It's at the "intersectionality" of the lassitudinous culture of the Hamptons and the depraved sexual ennui of Hollywood.

There's a subterranean impetus towards pornography so powerful that half the business world is juiced by the sort of half sex that one finds in advertisements.