Quotes About Opportunities

I'm not in retirement. I just don't want to work so much, and I don't get that many offers any more.

The majority of work I do is in independent films, where you're lucky if you have five takes.

The things that hold women back, hold them back from sitting at the boardroom table and they hold women back from speaking at the PTA meeting.

I always find it particularly difficult to work in New York because there are so many things to do.

Connecting expands possibilities - in work and in life - for ourselves as well as for others.

I honestly believe that all of my work have the type of impact that will allow me to create some unique opportunities.

I'd love to work with Steve Martin. I'd love to work with Bill Murray, Dan Aykroyd.

Be generous with your colleagues and your competitors. When people learn that they do well whenever they work with you, they will be more willing to come to you with opportunities.

I do have investments, investments in new jobs, investments in education, skill training, and the opportunities for people to get ahead and stay ahead. That's the kind of approach that will work.

When I first moved to New York I had been trying to work on anything and everything I could. From extra work and commercials to short and student films so I could learn in front of a camera.

I haven't really been auditioning. For me is about finding quality work versus finding work. I get a considerable amount of offers everyday.

There's certainly more work for me in TV these days.

You have to be in movies that make money to be offered work. Basically that's the equation. There's no real way around that. That said, you don't ever make decisions solely for that reason.

Well, I think that a lot of times when you're working on a film, there aren't really opportunities to get to know all the people you have to work with.

It was hard to be taken seriously being model-turned-actress. I needed to work on my acting chops. There are so few parts available that are good for women.

It was progressively more difficult to find work in the theatre, as well.

Any work that's worth doing has its challenges as well as its opportunities. That's true if you're running a business, it's true if you're trying to help on a campaign.

As corny as it sounds, I'm often pinching myself going, 'What great opportunities and great parts and great people that I've gotten to work with.

In fact, most of the work that I have done for the American Hollywood things have not been in Hollywood. The studios are going out in Europe or around the place working.

Chile could work as a double for L.A.; it's very production-friendly and there's terrific talent down there.

I'm aware of how difficult it is to work and be a mom - I have an 11-year-old son - and I would love to help anyone else who is trying to get into the field.

Best results are often achieved well before you need a job, by consistently networking so that when you find yourself job-hunting you have a large network to work with.

Getting work in theater has always been sort of cyclical.

There's big studio films I didn't want to do. I didn't want to go through the hoops and ladders. I wouldn't have been able to work with the directors I've worked with if I did those studio films.