Quotes About Relatability

Im known for impressions and family stories.

That moment when you hear a song and EVERY word describes your situation perfectly.

I promise to maintain being unique, but relatable.

I think of the note. I want to say me too. I want to say I know. I want to say I can read the gaps in your sentences. I can read the space between your letters. I know your language. It's my language too. I want to say that.

It would be so great to have someone my own age to talk to, even if it was just about books.

Friendship is born at that moment when a single particular person claims to a different: 'What! You far too? I assumed I was the only real one particular.

You Too? I thought I was the only one.

She did not talk to people as if they were strange hard shells she had to crack open to get inside. She talked as if she were already in the shell. In their very shell.

The problem for some people is when [motivational] speakers put out a consistently positive message it can be off-putting, and they start to feel like the speakers aren't relatable anymore.

I think I'm funny because my family, my siblings were funny.

You need to be funny in a way that people feel like you're trying to make a deeper connection. So that's what I try to do.

On the key to a successful Twitter account: Write the things that you think are funny and that's what's gonna click with people.

To be reminded that one is very much like other members of the animal kingdom is often funny...though...I do not too much mind being somewhat like a cat.

Kids seem to get me when I play colleges - they like it because I go after them. They'll come up after and say I am like their dads, only funny.

You've got to have a likeability factor, I think, in your comedy characters. If the guy's really, really funny but you just don't like him or her, then you're never going to root for them.

If I'm in something funny, I like to try and find some kind of serious line in it that people can relate to.

The goal of effective communication should be for listeners to say, 'Me, too!' versus 'So what?'

The thing you can't let go of is gravity. The reality of gravity in writing. If someone says something really mean in a sitcom, and the next wave isn't a reaction to the reality of that, you start losing relatability. In a lot of romantic comedies, they throw out the rules of life.

If you want to appeal to the masses, make sure you appeal to the one. If you try to write with everybody in mind, you'll appeal to no one because everyone will think your book is for someone else.

One friend with whom you have a lot in common is better than three with whom you struggle to find things to talk about.

A politician can be your son, uncle or even your cousin; they are just simple people like you.

If you want to win this world to Christ, you are going to have to sit in the smoking section. That is where lost people are found, and if you make them put their cigarette out to hear the message they will be thinking about only one thing: "When can I get another cigarette?

Simple people always reduce everything to their own simple measure.

Sometimes you have to remember a feeling you haven't had for a long time and bring it back so you can transmit it to someone else or use a feeling you have about one thing to help someone understand something else.