Quotes About Feeling

I think doing more live stuff's made us feel a certain way about that particular point. I quite like small clubs. I don't really like playing in big clubs, and I think I'm really into the idea of a few people being together.

I want to make people feel certain ways when they listen to my music. Whether it's partying or going through relationship problems or grinding or getting dressed and feeling fly. I want to be who I am and have emotion in my music that affects people.

I loved passing, just feeling the ball against my foot. I think any individual, if you enjoy certain things, you tend to practice it more. That was kind of me.

For while we do not grasp God, faith is born amidst the feeling that God grasps us.

We're not thinking machines, we're—we're feeling machines that happen to think.

People aren't rational. You aren't rational. We're not thinking machines, we're—we're feeling machines that happen to think.

Nie jesteÅ›my myÅ›lÄ…cymi maszynami, jesteÅ›my czujÄ…cymi maszynami, które przypadkiem myÅ›lÄ….

People aren't rational. We're not thinking machines, we're - we're feeling machines that happen to think.

?inasi, neriman'?n sesindeki bütün perdeleri, mübala?a ile ifade edilmi? küçük bir teessürden hakiki ve büyük bir feverana giden ses merdiveninin her basama??n? bilirdi.

Sliding on to a very public bench, dead centre of Ross. He was feeling heavy but insubstantial, like vinegar-soaked fish and chip paper tossed from a passing car.

And love is part and union in itself Of all that is in nature, brilliant, pure-- Of all in feeling, sacred and sublime.

This story is about love, which means that it is also about hate.

Poetry is emotional in nature and theatrical in operation.

I should be able to stay in this state of ecstasy. Or astonishment. Or let myself be overwhelmed by the incomprehensibility of it all. But the feeling that prevails the moment he disappears is that of being abandoned. Perhaps because it is already a familiar feeling.

Basically, I'm a romantic.

'Painting like a child' isn't a negative for me... it's something only great artists can really achieve. The childlike quality of some of Picasso's drawings is precisely what makes them so masterful and extraordinary; the ability to express complete visions, feelings and portraits through a continuous line.

I think of myself as a translator. I just change the dry, unfeeling language of data into a visual language that allows for feeling.

There's definitely a visual aspect and an emotional aspect to a song. And that harks back, for me, to theater.

When you drive a car, either you manage it and feel it with the grip of the car, or, like me, you fix it on visual speed. If you do it through the grip, you lose it very quickly - because when the track changes, you can have scares. I do it visually, so if I am going too fast I fight to get the car back, but I do not do it by feeling the grip.

There's a lot of two-hander dialogue in 'True Detective,' and I needed to place those guys in locations where there were other levels of visual storytelling. It didn't necessarily have to move the plot forward, but it had to add tone or add to the overall feeling.

In my mind's eye, I visualize how a particular... sight and feeling will appear on a print. If it excites me, there is a good chance it will make a good photograph. It is an intuitive sense, an ability that comes from a lot of practice.

The first thing I do with any script is read it and try to visualize if I can play the character - if I can feel what the character's feeling.

As much as I love creating entertaining visuals, I love toying with the pace of a movie and trying to perfect that. It's imperative to the impact: faster cuts, cuts at the right moments that meld with the tenor of a scene. Creating and maintaining that feeling.

I discovered that silent film is almost an advantage. You just have to think of the feeling for it to show. No lines pollute it. It doesn't take much - a gaze, an eyelash flutter - for the emotion to be vivid.