Quotes About Talkies

My love for cinema began with the talkies, around 1929 or '30. The first time I heard a word coming from a screen was White Shadows in the South Seas by Van Dyke and Flaherty, when Monte Blue suddenly said, "Civilization, civilization." It was the first time I'd heard talking cinema. At that moment I fell madly in love.

My father used to say it was just there, the opportunity. It was all teed up for him. The talkies were starting, and here was Hollywood waiting for people to come from New York who had the training, who could do music with a sense of dramatic context.

In the middle of my third Hollywood picture The Magician, the earthquake hit Hollywood. Not the real earthquake. Just the talkies.

It would have been more logical if silent pictures had grown out of the talkies instead of the other way around.

I connected very much with all the work of Joan Crawford because she started as a flapper. She used to dance and sing and she was very cute. She had something that was so different from what she is at the end of her life and she started in the silent movies and then went into the talkies.

My father had been an avid fan of Chaplin during the silent film days, but when the talkies came along, my father lost all interest in movies.

I think television will do the same thing to radio that talkies did to silent movies.

In America, at the beginning of talkies, they pulled Fred Astaire from the theaters and put him on the screen and had all of these great composers write songs for him. They call it the Great American Songbook; I call it the Fred Astaire Songbook because they were written for him.

The reason I put so much energy into it at the beginning was that while there were plenty of people looking after the talkies, almost nobody was doing the same for the silents. Now there are plenty of very good historians and restorers.

Television wasn't getting rid of animals, but they were no longer cast as creatures that were omniscient and heroic. They were talking horses like Mr Ed or an absurdist pig like Arnold Ziffle...Just like the heroic animals in silent films became comedians in talkies, animals on television were becoming jesters, something Rin Tin Tin had never been.

It would have been more logical if silent pictures had grown out of the talkies instead of the other way around.