Quotes About People

People are stubborn, and sometimes even if change is good, people will always oppose change.

In a lot of places in the United States and certainly even more places around the world, the image of the cowboy has become, for some people, a negative one. The word 'cowboy' implies a strong, stubborn individual whose individualism depends on pulling down other people's individualism.

In middle-income countries, inequality becomes a problem because you can see there is a layer of people who are doing well, while the poor are still stuck there.

I want people to notice my writing abilities are real and that I'm not just stuck in one situation.

The Gaza leadership is stuck in its rhetoric of revolution and resistance. But the people are fed up with their leadership.

I'm still a student of fashion, but I like hooking up with the people that really know how to make cool clothes.

I liked the people at Brown, while I really disliked most of the fellow students I had met at Northwestern.

So many able historians have worked over seventeenth-century New England that one would think there was little left to be learned from the people who lived there - fewer than 100,000 at the end of the century. Seldom, apart perhaps from the Greeks and Romans, have so few been studied by so many.

I studied psychology for a couple of years as a personal hobby, so you start learning about people and listening to your intuition, like when you you're feeling that people are not being entirely straight with you.

I've studied psychology. I'm fascinated by the human mind, and I love people.

I haven't studied history - I couldn't give a discourse in medieval literature - but I am a personal historian, and I do a lot to take in the histories of the people around me.

People are interested in people. They buy biographies; they don't buy studies of presidencies.

I think taking design out of the studio and really having a relationship with the people that you're making it for really convinced me of how powerful a thing design is. It's not just an aesthetic decoration.

I was in Studio 54 one time; it was great. But I'm not a discotheque guy. Sometimes, if I had a new demo, I went to some discotheques to check it out - see how the reactions of the people were. But just to dance, I rarely did that.

So that studio served its purpose, and still is working very well for other people right now.

I used to paint landscapes without any people in them but now I paint people who happen to be in a particular place. They might be outside a pub, or on a beach or in a studio. They might have clothes on or they might not.

I'm just looking for the best story being told by the best people and the best part that I can find. If those things add up, I want to be a part of it whether it's a studio film or, more likely in that instance, an independent film.

Studios are like hospitals. A lot of people check in, and they don't check out.

Studios were just run differently. There really was a head of a studio. There were people who loved their studios. Who worked for their studios and were loaned out to other people and everybody sort of got a piece. Well now there's a handful now.

I want to go create my own independent content and entertainment, in new models and in new ways, and essentially show studios and networks that people are good.

I hate studios; I'll be honest with you. People get weird in the studio. I've had some great and terrible times with people. People's personalities come out in the worst way.

I don't get along with many people, especially in studios. I'm quite blunt and I know what I want - and songwriters are very sensitive people.

I'm so fascinated with the study of people and why they are the way they are. That's my research and my archaeology, if you will, when I get a role. I'm so excited to attack a part from every angle of what makes a person a person.

I love to study people, and that's basically what sociology is.