Quotes About Copyright

Copyright: a system of monopoly privilege over the expression of ideas that enables government to stop consumer-friendly economic development and reward uncompetitive and legally privileged elites to fleece the public through surreptitious use of coercion.

events in this publication, other than those clearly in the public domain, are fictitious and any resemblance to real persons, living or dead, is purely coincidental. Copyright © 2018 by Jayne Ann Krentz The moral right of the author has been asserted. All rights reserved. No part of this publication may be reproduced, stored in a retrieval system, or transmitted, in any form or by any means, without the prior permission in writing

Give people what they want, when they want it, in the form they want it in, at a reasonable price, and they'll more likely pay for it rather than steal it. Well, some will still steal it, but I think we can take a bite out of piracy.

We're on the path of creating monopoly business practices out of copyright law.

The library companies have made it so that music is so cheap to license. They do sound-alikes of every band, and it makes it harder for the actual bands to get any decent paychecks for licensing.

When you have a group of engineers and designers, they are not exactly the best to deal with copyright law.

There are so many bootlegged Joy Division/Martin Hannett tapes, a lot of really bad bootlegs on the Internet.

I have a hunch that the unknown sequences of DNA will decode into copyright notices and patent protections.

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We need to differentiate between commercial piracy - where criminal organisations produce illicit DVDs on a huge scale - and domestic, unauthorised filesharing, which may or may not be detrimental to overall sales.

I am not saying 'Dum' flopped only because of piracy. But the money which went to the offenders could have gone to the producers of the film.

The law is against us music composers. We have no legal control over our compositions. Music companies are selling our songs to producers at throwaway prices. We are helpless.

How much greater would their contributions to the U.S. economy be if U.S. copyright owners could access foreign markets otherwise dominated by pirate product?

Copyright is not the thing that makes artists money, it's only for their brokers and distributors.

From the artist's standpoint, are you getting more from streaming than you used to, prior to the days of the Internet? No - and I don't know if those days are ever going to come back - but at least, technically speaking, it's the legal way to do it.

In making policy designed with copyright in mind, you end up making decisions about whether other important technologies, such as privacy-enhancing or file-search technologies, should be encouraged or discouraged. A collision is happening between creativity and protecting IP.

T-Series has invested heavily in monitoring technologies and is very aggressive in protecting its copyright.

Music copyright and licensing laws haven't kept up with technology or the times. The Music Modernization Act fixes that with a comprehensive set of reforms that will help musicians receive royalties they are owed while ensuring the public has access to that music.

Whether it's a song you write or a television show or a movie or professional wrestling, there are three components to IP law. There is publishing, there are writers, and there are performers. The publisher is always the owner.

Robin Hood is a high-tech and well-made violent action picture using the name of Robin Hood for no better reason than that it's an established brand not protected by copyright

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My life's goal is to find a happy medium for sampling to be not only legal but for the right parties to benefit from it. There have to be sampling laws. The survival of hiphop is based on that.

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