Quotes About Public Enemy

I was the biggest Public Enemy fan - I think it's what inspired the aggression of N.W.A. We just took a different route lyrically.

Abduction was what it felt like on first listening to Public Enemy. Like the post-punks, Public Enemy implicitly accepted the idea that a politics which came reassuringly dressed in established forms would be self-defeating.

Back in the day, when the D.J. would be playing a record, I'd be on the mic trying to hype up the crowd. So once Public Enemy became a rap group, I decided that that's the role that I wanted to take on. I wanted to be the one that was hyping, because I've always been good at it. I can hype up any crowd.

Public Enemy's theme was Black collectivity, the one thing that had been lost in the post–Civil Rights bourgeois individualist goldrush. Over the years, rap groups had shrunk down to duos, but Public Enemy brought the crew back.

Hatred is not contained in political thinking. Any hatred worked up against the public enemy is non-political, and always shows some weakness in the internal political situation.

People forget how dominant Public Enemy became in the mid '80s. No one talks about how transformative they were. And then that led to the '90s and the sort of East Coast v. West Coast stuff, which is kinda when I came of age.

Bureaucracies are designed to perform public business. But as soon as a bureaucracy is established, it develops an autonomous spiritual life and comes to regard the public as its enemy.

In my day," I replied, "it was considered that the proper functions of government, strictly speaking, were limited to keeping the peace and defending the people against the public enemy, that is, to the military and police powers." "And, in heaven's name, who are the public enemies?" exclaimed Dr. Leete. "Are they France, England, Germany, or hunger, cold, and nakedness?

Because I have an opinion, I have become public enemy number one to the Fox News Channel and the right wing.

My influences, going back through the history of rap, talk about Doug E. Fresh, Kool Moe D, Eric B. & Rakim, Public Enemy.

I like Public Enemy a great deal.

Alyosha-Bob and I have an interesting hobby that we indulge whenever possible. We think of ourselves as The Gentlemen Who Like To Rap. Our oeuvre stretches from the old school jams of Ice Cube, Ice-T, and Public Enemy to the sensuous contemporary rhythyms of ghetto tech, a hybrid of Miami bass, Chicago ghetto tracks, and Detroit electronica. The modern reader may be familiar with 'Ass-N-Titties' by DJ Assault, perhaps the seminal work of the genre

The Fed is the biggest enemy of this economy. In fact, Ben Bernanke, as far as I'm concerned, he's public enemy No. 1. We're never going to have a recovery while this guy's in charge.

Public Enemy is the security of the hip-hop party.

Rap is the only super-current music. If you're into reggae or dancehall, and you don't know Bob Marley, then you don't really know what you're listening to. But if you're listening to rap, and you're 15, you're like, 'Grandmaster Flash? Who's that? Public Enemy? Yeah, my dad told me about them once.' And that's just how it is.

I think traveling the world has helped to keep Public Enemy alive. We've never solely depended on the United States.

I think the Internet was the saving grace for Public Enemy. Before that, travelling the world saved Public Enemy.

Coming up, the music of my era was very conscious. I grew up on Public Enemy, and it was popular culture to be aware. People were wearing Malcolm X T-shirts and Malcolm X hats. It was a very cool thing to know who Malcolm X was. It was all in the lyrics. It was trendy to be conscious and aware.

I played more of an advisory role with Public Enemy. I really trusted them to make the music that they wanted to make, and the way The Bomb Squad worked with the... they created their whole own world of music.

I don't profess to be a political rapper, like groups such as 'Dead Prez' or 'Public Enemy', but I think social commentary should make its way into your music. Speaking on your neighbourhood is social commentary - what happens, what's going on.

Privately owned, of course, with no nonsense about nationalization—for has not the Führer said that Bolshevism is the Public Enemy Number One? Isn't it fear of Bolshevism that is enabling Germany to undermine and destroy the governments of every country in Europe?

What Public Enemy and Underground Resistance had in common was a rejection of the idea of music as entertainment.

When I was a critic, I reviewed Public Enemy's 'Muse Sick-n-Hour Mess Age' - this is back in '94 - and I called it a 'Dante-esque spiral of the hip-hop hell.' I idolized Chuck D, but I just hated that record, and I did not hold back. Chuck didn't freeze me out. Every time I met Chuck, he always treated me with the utmost respect.

B. & Rakim. Then straight after that we did the Bring the Noise tour with Public Enemy, N.W.A, and EPMD. "Colors" was always my opening song.