Quotes About Interpretation

When you've got good actors, they're going to come up with good stuff, but you're never quite sure how the dynamics are going to work between them.

Good actors can tell you more about your play than 1,000 hours alone at your desk.

I think all art - if it's good - is a result of really trying to create something that you can't put into words. Where language ends is where good art begins.

The key to good art is to make something that means something to you.

Good art doesn't really have an expiration date on it.

Anything can be art but very little is good art.

I feel like a good director provokes you to ask questions about your character, but doesn't answer them for you.

If you can make a color show or movie seem like it's in black-and-white, then you've done a really good job.

I think if you make a good movie, people walk away arguing.

A good script and a good brief from the director is enough to let me know what is expected of me.

I feel I do not have script sense. Like Kartik Aaryan has a very good script sense.

It's great to imagine and visualise while reading a novel. It doesn't always work for a film. 'Pavithra' had a good script executed badly.

I very much enjoy working with talented filmmakers who have a good sense for music, who have a strong feel for music and for what music can do in a film.

I feel like if it's a good song on a guitar, it's a good song no matter what.

Sometimes the facts can get in the way of the telling of a good story. But they don't get in the way of the truth.

Cinema is a director's medium; it's his story and his vision. If it's a good story, people will connect to it.

I think cliche is a good thing sometimes.

All I know is, I play the guitar, beat it out, and sing a song that has some damn resonance that we feel as musicians. We send it out and people get it, and that's a good thing.

I'm not one of those people that goes into the movies that are based off of books going, 'I know what this is really about.' I want to go and have a good time.

I read Herman Hesse's 'Siddhartha' while I was writing 'Lord of Light' along with many other things. It seemed a good time to read it so I could see what he had to say about Buddha. In my first chapter, I was thinking in terms of the big battle scene in the 'Mahabarata.' It helped me in visualizing the battle in my novel.

Whether you're doing Shakespeare or Disney, good work is good work.

You can be playing a line some way and the director wants you to change that, or you can disagree. But I always think that the creative conversation between director and actor is what leads to good work.

I feel like I'm a secondary artist, a kind of a conduit for the writer, and if it's a good writer, then I have a great road map.

For the virtuoso, musical works are in fact nothing but tragic and moving materializations of his emotions; he is called upon to make them speak, weep, sing and sigh, to recreate them in accordance with his own consciousness. In this way he, like the composer, is a creator, for he must have within himself those passions that he wishes to bring so intensely to life.