Quotes About Interpretation

Artists realise that mathematicians have a way of looking at the world that can make them see things differently.

In most films, when we act, we don't see such meanings in what we do. Rather, we don't realise it. Only when we see it as a continuous film later on do we realise such deep meanings. That is the brilliance of the director.

I began to realise that film sees the world differently than the human eye, and that sometimes those differences can make a photograph more powerful than what you actually observed.

Poets have to be sensitive to their audience, but it does not mean that they censor themselves. I realise my audience is diverse. Some will read with empathy and curiosity while others will take offense.

I'm not being naive; I realise there's no such thing as a pure reading. But I'd rather keep myself as far out of it as I can.

My dream is to produce a generation of actors who realise what the function of an actor in a movie is supposed to be.

If I ever get chatted up, I never realise it. I just think men are being friendly.

I did realise that when you talk with a straight face, you come across as someone bolder than somebody who bats her eyelids a lot.

I listen to other people's stuff and, more and more, you realise how much is layered and how many different guitar parts there are.

Long ago, when I was in higher secondary school in Delhi, I read an essay by George Orwell in which he said there was a voice in his head that put into words everything he was seeing. I realised I did that, too, or maybe I started doing it in imitation.

When I was 18 and not sure whether I wanted to be an actor, I realised that a playwright has no voice without an actor. That's my reason for acting: to get that character as right as possible for my writer. And I have never changed my philosophy.

Music is the way I understand how to communicate now, the way that I've learned how to communicate... but it will eventually have to go beyond that. You see, I've realised that music is not what keeps people involved - it's the attitude behind the music.

When I started to write, I realised that you need a bit of both: the overall context as well as the individual's experience.

Directing Mr. Mohanlal was a delight. He's completely there and wanting to know what you want him to do. He's very keen on making sure the director's vision is realised.

I have realised I am a director's actor.

When I started writing material, I realised you could take a ballad like Usher's 'Nice and Slow,' sing the same melody over a garage track, and everyone would be up and dancing.

You cannot convince a Buddhist to become a Protestant any more than you can convince a person who embraces realism as the highest form of art that fantasy is an equally important manifestation. It's impossible.

The cinema that interests me departs from realism.

In 'Min Kamp,' I wanted to see how far it was possible to take realism before it would be impossible to read.

Guy Ritchie likes to ground things in realism.

The reason I don't like realist, photorealist, neorealist, or whatever, is that I am as interested in the artificial as I am in the real.

In my own writing, I think of myself as a realist who exaggerates a little.

The sentences I write have their roots in song and poetry, and take their bearings from music and painting, as much as from the need to impart mere information, or mirror anything. I am not a realist writer, even if I seem like one.

The realistic value of a work is completely independent of its properties in terms of content.