Quotes About Interpretation

I'm fascinated with what an audience will take away from an image.

It's hard for me to assess what I brought because each time you pick up a camera and point it at a person, you're trying to define that person so to talk generally is difficult because I have to think of a given image in order to conjure up what we're talking about.

Imagery is like music.

I think people often tend to listen to music with their eyes and not their ears, and I just wanted my work to shine, and to be able to convey my message without imagery taking away from that.

Working on fashion shows, you work with the designer and try to read his brain - what was in the creative process, what images did he have in his head?

My job is to make images and leave the decision-making and conclusion-drawing to other people.

It's like I understand images and some people understand poetry.

With songs I almost see the images, see the action, and then all I have to do is describe it. It's almost like watching a scene from a film, and that's what I go about trying to catch in a song.

I love telling stories with images. But I think there's more to just saying a movie is great visually.

I went to a Chekhov play with my grandmother, and at the end, I was talking about how the first act was so boring. And my grandmother didn't see that at all. I realized it was because I need, like, the constant images changing. I wrote a paper about this.

We do not need to have a way to talk clearly about other people's images.

The act of reading a story is sacred, and people build images and all that stuff.

I don't put a lot of description in the books because I write books the way I like to read them, and that is I like to build images and be a creative reader, and so I write that way.

Artists have historically understood images better than anyone else. This is what we do.

If you use your imagination, you can look at any actress and see her nude... I hope to make you use your imagination.

What I really have in my head, my imagination, my understanding of music, I never really get that out.

I used my imagination to make the grass whatever color I wanted it to be.

Essentially, I'm untrained, so I just go with my imagination and try to put myself as solidly as I can into the shoes of whatever person I'm going to be playing.

I don't have a great imagination to share something with you that you don't know, so it's about interpreting things - a dialogue.

We have to be able to use our imaginations to make the character's experiences real to us.

It'll help you be imaginative if you listen to classical music. It helps you understand dynamics and how important they are to create an environment.

I mean when I was working shall we say with Disney, you know they sent me the script for the film Hercules and I had to imagine what all the characters looked like. And to develop those characters, so nothing exists visually when I get the script.

I'm a comic book writer, so I work with a lot of artists. Sometimes, you get art back, and you're like, 'Oh, no.' Sometimes, you get art back and you're like, 'That's exactly what I imagined in my head,' and you're happy about that.

My acting style changes according to the way a character is imagined.