Quotes About Concert

Capital must work, as it were, in concert with industry; and this concurrence is what I call the productive agency of capital.

As much as we pump iron and we run to build our strength up, we need to build our mental strength up... so we can focus... so we can be in concert with one another.

And as far as the Disney Concert hall is concerned, it is a wonderful modern structure and I am extremely honored that I had this opportunity to have a concert here.

Because I don't take money, I'll go anywhere and do a benefit concert with almost any orchestra.

My father will go see Trans-Siberian Orchestra every single year. I mean, he's completely into it.

It was a huge honour to play at the Palladium with the BBC Concert Orchestra.

I wouldn't have expected an audience of ours to burn down our equipment.

It was amazing and inspiring to see so many people come together through music to aid the great state of Vermont.

Way up in the nosebleeds we watched him on the screen, they'd hung between the billboards so cheaper seats could see.

I was absolutely determined to leave. They wouldn't let me. They wanted me to give a concert; I wanted them to beg me. And so they did. I gave a concert.

I had decided to delight the audience by playing my soprano saxophone for their delectation (years later, a music critic would describe my playing at a concert as "excruciating").

I cannot give a single concert at which I do not play one piece after the other in an agony of terror because my memory threatens to fail me. This fear torments me for days beforehand.

Life was full: no hacker is worth missing a Dead concert for.

For everything I do, I think about a 6-year-old girl and her mom that I saw at my concert last night. I think about what those two individuals would think if I were at a club last night. I never want to be arrested, and I never want to get a DUI, those are my moral values.

Somewhere along the line, a concert became a variety show. It was no longer enough for four dudes to play together in front of some guitar amps. Costume changes, an army of dancers, and Broadway theatrics suddenly became standard for a 'concert.'

When I was younger, Big Bang didn't go on many variety programs, so we used to try and plan many fun events for our concert, like drama parodies, which Korean fans enjoyed.

The only time I have a problem is when I have to get in a vehicle after we play and sit there in a cramped position for a couple of hours to drive to the next place. Then I get super stiff.

I like feeling one with the audience, making the whole venue feel like one, it makes me happy.

I loathe hecklers. I haven't got a good syllable to say. When you come out of the club circuit and into the concert hall, they should be gone. There's an element of manners that should tell you that the ticket is dear and it's a different venue.

The Tokyo Dome is a huge venue, so for us, its such a prestigious opportunity.

One day I'm going to open up a club or a concert venue where it's all ages and really fun. That'd be awesome.

Vegas is definitely a new challenge, but I wanted to be able to put on a different type of show. You get to do so much more when you don't have to put your stage in trucks after the show every night - we got to build a venue specifically for my show. It's going to be more like a party than a typical concert.

When you say 'failure,' that seems really dramatic, but a lot of failure is just really depressing and mundane. I remember the first time I ever played a concert in Italy. I played a venue that held 900 people, and I think five people showed up. It wasn't a big, 'John Carter of Mars' type failure. It wasn't dramatic; it was just depressing.

I love it when people come from all over the place in separate vehicles, and they all come to this venue and become one energy. When that happens, it's a very magical thing. I think that helps the world go around, and it's what we do as performers - bring people together.