Quotes About Material

This [double helix] structure has novel features which are of considerable biological interest…. It has not escaped our notice that the specific pairing we have postulated immediately suggests a possible copying mechanism for the genetic material.

The message of Christmas is that the visible material world is bound to the invisible spiritual world.

There is only one republic to which I belong, of which we are citizens, we, honest people, who do not aspire, but who pay for the irreverent national domesticity. The Republic is us, it is the real France, the exploitable and exploited material; the priest of all these frenzied republics, of all those parties that have the property of others for dreams and laziness for idols.

The people of the earth have it in their power to see that modern inventions are employed solely for their spiritual and material good.

aunque, como ya he contado, procuraba no llenar su mente con información que en su opinión careciera de valor material. Que el cielo protegiera al hombre que intentara entablar una conversación con él acerca de política o filosofía: un niño de diez años sabría más. Una cosa puedo decir acerca de aquella tarde:

The equality among all members of the League, which is provided in the statutes giving each state only one vote, cannot of course abolish the actual material inequality of the powers concerned.

I think the whole DVD craze has provided opportunities for material that, for those interested in it, explains the whole history and background in getting a film made, which is great.

Historically, science and society have gone separate ways, although society has provided the funds for science to grow, and in return, science has given society all the material things it enjoys.

If you are a certain kind of hands-on learner and have been in a writers room and know how scripts get made, and you know what pre-production is, then mostly it's making sure the actors get what they need, and you are providing creative oversight while allowing room for everyone else to own the material, too.

Sometimes a miracle is a change in material conditions, such as physical healing. At other times, it is a psychological or emotional change.

Often it's the case that we have to do a lot of exploration and marketing of the material we publish ourselves to get a big political impact for it.

We like to engage in a normal publishing effort, which is to act in a responsible manner and make sure the material is not likely to harm anyone, that it is properly investigated by quality news organizations, and by lawyers and human rights groups and so on.

The goal is to become the central hub of publishing, where we have all the written material - user-generated and professional. We want to be the place where people can publish instantly to their audiences... and to get there, it's just about doing things step by step.

Memory is a magnet. It will pull to it and hold only material nature has designed it to attract.

Graphene is a single plane of graphite that has to be pulled out of bulk graphite to show its amazing properties.

It's not highly intellectual material. I'm dedicating it to the pulp fiction of the past.

There's nothing like working with the best actors possible, and if you have a piece of material like, 'Long Way Down' or 'Love Punch,' which allows you to play, then it's just a joy to go to work.

We can also cut by heat - heat punch. And we also can cut by cold - extreme cold. When you cut with heat, it makes a mark. With cold, no mark. It depends on the fabric.

If you go too small, you can't get the performance you need out of the small little parts. And if you go too big, the puppet gets difficult to move, because it's too heavy, and there's too much material, and it becomes this exercise in just moving these massive parts around. So there is a natural scale that makes sense for stop-motion.

There are very few things that are purely conceptual without any hard content.

I enjoy doing comedy that is why I pursue it. I believe that life is hard enough already and full of drama so I find things that are funny to use as material.

I go on at least 2-3 auditions a week in the pursuit of more work. So I'm constantly working on material and constantly honing and trying to perfect a craft that is never perfectible - it's always new, and it's always different. It's always a work in progress.

I don't purposely push the boundaries... I think if you pay attention to a story, it will have exactly as much 'difficult material' as it needs, and nobody will complain about it because you've earnt it.

I never know going in if I've even got a movie to make. Once you start making a film, you hope there's going to be enough material! My job as a director is always to push for more.