Quotes About Script

Finding one good script is a huge challenge. So I do a film whose script comes and grabs me. Once I finish that, I look forward to the next movie.

To find a good script is very important, because the chances and opportunities I would be getting will be very far and few.

I was waiting for a good project in Malayalam. It is after a long gap that I will be seen in this industry and wanted it to be a good script.

It's great to imagine and visualise while reading a novel. It doesn't always work for a film. 'Pavithra' had a good script executed badly.

A good script and perfect casting, that's 90 percent of the work.

Stories matter to me. I look for a good script, story, and a strong part.

Doing 'YHA' felt as if I was shooting for a film because it was a love story with a definite ending and good script.

I am bound to get carried away by anyone who approaches me with a good script.

I am always looking for a good script.

When I got the script for 'Eclipse,' I thought it was a damn good story.

Great directors turn in mediocre work, and first-time directors turn in exceptional work. No matter how good a person can talk about what he wants, you never know. You just have to go with a good story and a script that you like and people that you like to work with.

These days, you don't need a song or glamour to make your film work. It is all about a good story.

If a star film does not have a good story, it will not run. This will make stars choose good scripts consciously.

I like to be part of films that have a good story, good characters.

I've been working on the screen right from childhood and am completely in love with my work. And this experience has taught me that ultimately, it's a good script, good work that matters, whether in Bollywood or in the South.

When I got the script for 'Winter Soldier,' I was so excited to see that my character finally gets to punch somebody! So I took tae kwon do three times a week. I wanted to feel like I could hold my own in a roomful of superheroes.

'V' had just been cancelled; I was looking for a job, and the 'Homeland' script came across my desk. I loved it immediately, although I thought it would end up being discovered gradually - a slow-burner, like 'The Wire.'

I've never done a big series like 'Game of Thrones' before. All I knew was that it was HBO, and I'd seen what they had done with 'The Sopranos' and 'The Wire.' But when I started reading the script, it was a no-brainer. Yes, yes, yes. Gold. Every time I turned the page.

Script wise, the story of 'Eega' is universal. It's a simple story which everyone can understand.

Every script has things that would draw me away or draw me towards it. But I just try and choose as wisely as possible - when I get to choose.

I don't choose my directors, but I choose my scripts wisely.

I always wanted to work with Ayushmann Khurrana and I wished that I would get a good script to team up with him.

Three years into getting 'The Witch' financed, I was hanging out with my brother and he was like, 'I'm working on this script. It's a ghost story in a lighthouse.' I thought, 'Damn, that's a really good idea, I wish I'd had it.'

You can tell if you're going to be into a script within the first five or ten pages - if I'm not completely engaged by page 20, I just have to give up on it.