Quotes About Script

I was out to have a good time and have some fun. It's a fun script and fun people are in the movie.

I wrote a script and I've been whispering in director's ears for a really long time and I'd love to direct.

It's a shame, but every time I get something scientific in the script, I read up to find out what I'm talking about - but then I'm on to the next script and it's forgotten.

A lot of the time the film chooses me. I'll be working and I'll get a call from my agent and I'll get the script and then tell him what I think.

I don't know how I absorb things, but I do. I just absorb them. I don't over read the script, and I don't really ever spend much time learning it.

I loathed William Frawley and the feeling was mutual. Whenever I received a new script, I raced through it, praying that there wouldn't be a scene where we had to be in bed together.

One had a feeling, in revolutionary and intellectual circles, that they spoke from a script, playing characters from an Islamized version of a Soviet novel.

Independent will is our capacity to act. It gives us the power to transcend our paradigms, to swim upstream, to rewrite our scripts, to act based on principle rather than reacting based on emotion or circumstance.

Because I am self-aware, because I have imagination and conscience, I can examine my deepest values. I can realize that the script I'm living is not in harmony with those values, that my life is not the product of my own proactive design, but the result of the first creation I have deferred to circumstances and other people.

Many "older" children go through life either secretly or openly hating their parents. They blame them for past abuses, neglect, or favoritism and they center their adult life on that hatred, living out the reactive, justifying script that accompanies it.

Because we already live with many scripts that have been handed to us, the process of writing our own script is actually more a process of "rescripting," or paradigm shifting—of changing some of the basic paradigms that we already have.

I love Marlon Brando and James Dean. That was when it was all about the star and the script. Nowadays, everything has to be action-packed.

One of the key reasons why you want to always use a script for prospecting is that each industry has its own unique set of questions that need to be asked in a certain order. If you try to wing it—as opposed to having all your questions mapped out in advance, in precisely the right order—then the chances of you remembering all the questions, or asking them all in the right order, is slim

everything you'll need to create a practical blueprint for gathering intelligence in your industry. Now, as you go through each rule, you should keep relating it back to your own situation—making whatever changes are needed to your current method of prospecting. To that end, if you have a prospecting script or a list of intelligence-gathering questions, then you should have those in front of you before we begin. So, grab those now, and let's get started.

It's funny. When I saw the script in my inbox and it said 'Sparkle ' I thought, 'For real? It's really called 'Sparkle?'' I was wondering, too, how does 'Jordin Sparks as Sparkle' sound?

'Sparkle' fell into my lap. I had heard a little bit about it, that it was being redone in early 2011. I was just kind of like, 'Oh, that would be really cool ' and not really thinking too much about it, and then it came through my agency. I read it, I fell in love with the script and I went in to audition.

The difference between life and the movies is that a script has to make sense, and life doesn't.

Karma becomes most relevant if we simply examine it as a psychology of habit. Karma is about beginning to see the general script we act from, the strategies we employ when confronted with familiar obstacles along our commute. This

I've read the 'Public Enemies' script and, no, it's not 100 percent historically accurate. But it's by far the closest thing to fact Hollywood has attempted, and for that, I am both excited and quietly relieved.

The greatest gift that an actor can have is good scripts because then you're relieved of the responsibility of trying to elevate the material.

Comedy films never die, all they need is a good script instead of merely relying on humour. That said, I would love to portray more characters like the one I play in 'Perariyathavar.'

So, yes, I wrote a script called 'Ben Is Back' that I got to make with a bunch of remarkable artists and craftspeople.

I remember, when we started 'Leverage,' we were all in Chicago, and I read the script for the pilot and thought, 'Boy, this is just a real interesting place to begin a character.' I had to figure out how to go about playing someone who had hit rock bottom.

I was one of the first to read the 'ER' script and the good news is George Clooney still gives me credit for helping to launch his career. I had George Clooney under contract for four years in a row before 'ER' happened. He's one of the few who remembers the people who helped him.