Quotes About Script

I've always been better at informing the audience through images than through words, but I took on a script that was so dialogue-intensive, that the words had to do all the informing.

When Raghavendra Rao garu approached me to do a film on Lord Venkateswara, my initial response was 'What more can we do than Annamayya?' But he asked me to go through the script, and I really liked it.

To me, the screenplay only becomes the Bible of the film after the actors have been cast. You go over the initial script with them and listen to the way they talk. Then you try to do a rewrite to accommodate them.

You get the initial script, and then things sort of change here and there, but the whole thing is this sort of mushy collaboration, which I love.

There's innocence in a young mind, say 18 or 21, writing a script. But we have to acknowledge that they have to open up to life's experiences to be able to add those layers of depth into the script.

Acting is my first love and I want to stick to it. But I would be happy to offer my inputs to a script, if asked.

I think that my script, if it gets used, would be great. But if it doesn't, I think it inspired them.

Working on script development, casting, editing, and music is incredibly inspiring to me, and it's wonderful to see something you love come to life.

I never see myself in a script. For instance, I tried to cast others for 'Beautiful', which didn't work out and I ended up doing it.

I am very instinctive. When I read a script, I think, 'Is this something I would want to watch?'

I don't really have a specific formula I follow to find the right script or role. It's always just very instinctive.

Your instincts for what's dramatic are the same whether you're working on a drawing or on a script.

I work with my instincts. I don't have a process that I learned in an acting class whereby I break a script down or whereby I do a certain kind of research.

More than influences, my music is based on instincts. I make music to match the script and the world of the film.

The script of a play is not a finished product: It's a set of instructions.

Sometimes you're reading something, and you don't know it will be important in your life. You're reading this script, and you start to get involved. It's not an intellectual experience.

'The Living And The Dead' is one of those scripts that you read and are instantly compelled and engaged by. It's intelligent, chilling, and engrossing.

'Housefull' is not a 'leave your brains behind' kind of a film. It has a very intelligent screenplay.

The reason I took on directing a film myself was because, no matter how skilful a director was or how much I liked the film, there'd always be beats where I'd go, 'Oh... well, that's skilful, in a way, but it doesn't get the flavour I'd intended in the script.'

I'm a real strong advocate of living up to the intent of the script and follow that as closely as I can.

Whenever I write, I write very dialogue-heavy things because I love to force my characters to interact with one another.

When I read a script and have my first interaction with this character, do I feel like there's something I'm gonna' learn here? If I feel like it's something I've done before, then what's the incentive for me to do it?

I'm happiest when I'm discussing a script and working with interesting people.

As an actor, one is always looking at doing interesting things... meatier roles... stories that turn out exactly the way on screen like when they were narrated to you.