Quotes About Script

I am not adding more films to my kitty just for the sake of money; I choose my script and do it.

I look at the action scenes as placeholders when I arrive on a script, knowing that I'm going to expand on them when I understand the constraints of the movie, the locations of where we're shooting, the abilities of the actors, and where we want to go with the characters.

As she lifted the glittering strand of diamonds from the box, a small slip of paper fell out. She caught it as it wafted toward the floor. Four words in ancient script, an arrogantly slanted scrawl. Accept these, accept me. Well, she thought, blinking, that was certainly direct and to the point. -Adam's note to Gabrielle

We're superheroes. He's not sticking to the script. If he keeps deviating, I'm jumping comic books.

Life isn't a bloody comic strip, kid," Ryodan said coolly. "Yes it is," he said, "and we get to write our own script, so be epic or vacate the page. You're all taking this way too seriously.

there is no such thing as a character in a script, only words on a page. An actor speaks these words of dialogue, and so the reader forms a sense of an actual person, though the character himself is an illusion.

In reality, what triggers or causes our stress/stressors are our unresolved feelings, our inability to identify those feelings, and our reaction to those feelings. When we perceive that something is becoming stressful to us, we need to stop immediately and locate the feelings or the thoughts—the emotions—that are associated with that stress. After we identify those feelings (emotions), the next step is to process them through the Script.

if you have identified your feelings accurately and replaced them in the Script with appropriate opposite feelings, the stress you were experiencing can be unlocked, diffused and dissipated.

I think a lot of playwrights have a script in their bottom drawer that hopefully no one will ever see about a bunch of young people sharing a flat and getting up to crazy stuff.

'The Glass Menagerie' by Tennessee Williams is a great play. I had to read it for school when I was younger, but I started writing scripts after that. That's what got me into writing.

I play Father Francis in 'The Exorcist Prequel.' It's fantastic. We are shooting in Morrocco and Rome. Paul Schrader is directing; Stellan Skarsgard plays the younger Max Von Sydow character. It's just a fantastic script. It's a very eerie, very scary script. It encomposes a growing dread that I think is really appropriate for the film.

'One Tree Hill' was my first television experience, so naturally I was nervous initially. There is no rehearsal, you get your script a few days ahead, and you work. I was also the youngest actor, 13, on set at that time, but it was amazing to be able to 'learn the ropes' with such a supportive group of people.

I would be surprised though if I don't get unbelievable critical acclaim for 'Dirty Picture' and a national award for my actress, Vidya Balan. The movie has one of the most well-written scripts I have come across, and a lot of youngsters in my office have looked at it with great admiration.

There's nothing better than voicing a character. You don't have to worry about what you're wearing; you've got the script in front of you, and it doesn't involve your body: it's all about your voice, and it's really fast work.

Your body - or my body - is just kind of stupid. Like, your body doesn't know whether you're acting something because it's happening or whether you're acting it because it's in the script.

If you stick to your dream script, you will have a boring and meaningless life.

The final product in a play is not just the written word. It's the production, the performance. The script is, of course, a very important piece; but it's only one element. Ultimately, yours is one of several voices. People can change your work in a play for better or worse.

You need to be open and explore while heading where you want to go. You can never be too in love with your own ideas. If you can remember every idea that is yours in a script, as opposed to someone else's, then something is wrong.

Television can be a little tricky in terms of finding roles that feel fully flushed out, which is why I love being in the theater so much, because the roles tend to be really on the page.

I loved the material when I first read it, and the experience of making the film was a great one. So when we came around to complete the trilogy, I just signed on board without even reading the scripts because the experience of the first film was so good.

I think that the 'Bourne Trilogy,' it's definitely redefined the genre and took it to a new level. It was really great to be part of that experience. It is a very smart movie and a very smart script, great director, and great, you know, fellow actors.

I was drawn to 'Fear Street' for so many reasons. From reading the script on day one, I could tell that this trilogy was going to be so groundbreaking in the way that it subverted stereotypes and characters.

I love shooting, when the character is interesting and the script is interesting, but the research beforehand is really fun. The whole process makes me anxious and restless, and I have trouble sleeping, just trying to figure out the character.

The script is so important... Even if you have a huge entourage or big lighting trucks, the most important thing is the space between the actor and the camera.