Quotes About Script

As an actor, I have always felt, everything is available in the script. If there is anything you feel the script lacks, you can have a discussion with the director and point out those.

Often, you're not quite sure what people have seen you in, but the script lands in your inbox. That was the case with 'The Night Manager.'

Shooting in Hong Kong, you can do whatever you want, even change the script every day. In Hollywood, you have to have a lot of meetings.

And I find it very easy to memorize the scripts, which are so close to conversations my husband and I have.

If I had even the tiniest scrap of advice to give to a young actor who was figuring out how to audition, I would say don't memorize the script... The reality about auditions is that 98 percent of the results has to do with what you are, not with what you did in the audition.

If I know I have to memorize lines, I'm really gonna try to memorize lines. It's hard for me sometimes, because somebody wrote these words and you're trying really hard to get them the way they said it.

I'm always trying to memorize lines, whether I understand them or not.

I envision the script as a story in my mind, memorize the entire thing and have it play out. It helps me figure out where my character needs to go.

Being an actor is actually pretty easy if you can memorize lines.

The great thing with comedy is that I don't memorize ahead of time like I did on 'Breaking Bad.' With 'Breaking Bad,' I wanted to know those words inside and out, really have my lines down so I could say them verbatim. But with comedy, you keep it a lot more loose.

One thing I've really never had a problem with was memorizing lines. Most of the time I don't memorize the lines until we're on the set shooting the scene.

Before 'Memphis,' I had never considered working on a musical. But when Joe DiPietro sent me the script, I heard the entire score in my head.

I'm used to changing a lot of the dialogue. But if I feel like the script is working, I don't want to mess with it.

My character Milly in 'The Boy Who Could Fly' was a very strong part. There were dramatic moments, and there were humorous moments, too. The whole story with Eric Underwood's character was just wonderful, and the messages behind the script were very important to me.

We had a script reading, and that's where we met J.K. Rowling, which was really exciting.

They sent me the script and I thought that there was something very appealing and funny about it. Also, I was familiar with Mike Myers' work in Saturday Night Live, but I did not know the extent to which he would make this creation.

I don't write anything off without reading a script, and if it's a good one, I'll consider it, whether it's for $20 or a million dollars.

Along with loving the script, the reason I did 'Aeon Flux' was because I needed the job, and I couldn't find $5 million to make a movie independently - after making a fairly successful movie for a million dollars.

Well, first of all, you read the script a million times. Because what the script gives you are given circumstances. Given circumstances are all the facts of your character.

learn Python? Why not a language that was made for beginners, such as Scratch? Why not learn Java or C++, which most colleges seem to be using? Personally, I believe that Python is an ideal language for beginners. It runs on multiple systems. The syntax (the grammar of the language) isn't fussy. It's easy to read, and many people can walk through a simple script and understand

Tyki (hereafter Ty") : I'm Tyki, friend of young boys and the idol of the Noah. (baffled) Hey, what's the deal with this script?! W: You were dragging your feet, so the Millennium Earl wrote it for you.

I loved the material when I first read it, and the experience of making the film was a great one. So when we came around to complete the trilogy, I just signed on board without even reading the scripts because the experience of the first film was so good.

Man has developed consciousness slowly and laboriously, in a process that took untold ages to reach the civilized state (which is arbitrarily dated from the invention of script in about 4000 B.C.). And this evolution is far from complete, for large areas of the human mind are still shrouded in darkness. What we call the "psyche" is by no means identical with our consciousness and its contents.

Nobody ever takes note of [my advice], because it's not the answer they wanted to hear," Martin said. "What they want to hear is 'Here's how you get an agent, here's how you write a script,'… but I always say, 'Be so good they can't ignore you.' " In