Quotes About Script

As soon as I saw the script for 'Moonlight Drawn By Clouds,' I thought it was fun, and I really wanted to do it.

I auditioned for 'Moonlight' without knowing anything. I went in the room, and I didn't know the lines as well as I should have. I didn't know a thing about the script. I wasn't told anything. I heard it was a low-budget film, and my agent told me to do it. I was super-ignorant to it.

For me, 'Mary Magdalene' is the most beautiful film I've shot with the performances and the script and the actors and ensemble. But not one saw it.

I think the most important thing for an actor is reading the script and trying to figure out if you can play that character well. The last thing on my mind is if the director made good movies previously. It's not my job to know if that director's last movie was any good - it's my job to know if I can play the role.

To me, the most important thing is the script. I would never make a movie that I didn't write. I wouldn't know how to.

Mostly in movies an actor has to come to a mark, an X, and deliver his line - but that's so artificial, that's not how people really behave.

What I mostly do is take the script, analyse the hell out of it, see what's in there, see what kind of person I'm dealing with, and then forget I'm playing a father and just play a person who exemplifies all those things.

There was a point of time when there wasn't anything new coming to me, but the same old scripts. But, the script of 'Thira' motivated me.

In Arabic 'the written symbol is considered to be identical with the sound indicated by it'. Letters are not just phonetic; they are phonic, acoustic,'… script that fills the ears of him that sees it', as poet al-Mutanabbi was to call them.

When we shoot 24, there are so many things I have to worry about, from the script to technical things to my performance, that I don't have a second to be bored or take anything for granted. We produce 24 hours of film a season, which is like making 12 movies.

stage for seduction, but Torie had quickly flipped the script on him. She was in charge and he became a willing participant in her show. She leaned forward and kissed his face more than a dozen times, her soft lips brushing against his forehead, his nose, his cheeks—each one in turn—his

His lines had been honed over centuries, passed down through generations, for poor people needed certain lines; the script was always the same, and they had no option but to beg for mercy.

One thing I thought was really cool is that we got a fax machine in our house to have scripts sent to us ahead of time! Okay, it's not a big deal now, but in the days before cell phones and email, only the fanciest offices had these special machines.

Life is like a B-picture script.

Poetry is a phantom script telling how rainbows are made and why they go away.

As an actor, you really want to respect and honor the script. You want to try to be in the moment and you also realize that you're one part of a bigger picture and when they call action, you have your dance.

I have a hard time with films that I feel like I can predict every twist or turn they take from the moment I start reading the script.

The story behind 'Check Point' is what drew me in. The script had a couple of twists that I really did not see coming... To get out there and raise people's awareness, I think there's a big responsibility in that.

Many people, including me, thought it was too early for me to play a father to two grown-up daughters, but I found the script of 'Dangal' irresistible. I had to do it!

I have always believed that chemistry can't be created between two people. You either have it or you don't. The script can only enhance it.

The first script I got was Narc and I really responded to it; it reminded me of a '70s type movie, I really liked the characters, I didn't anticipate the ending.

I'm not one of those New Age types that believe 'it's all meant to be' and that our lives have been scripted by an invisible hand.

I think a script is great when it starts with the structure and works with the structure without falling into the typical three-act system in which the audience is ahead of the movie. I hate that, but that is like 99% of what I read.

When I first heard the script of 'Brishti Brishti,' I was really excited. The film will require me to break away from the typical Ravi Kishan mould. Getting under the skin of my character will be a big challenge.