Quotes About Historical

Comte de Saint-Germain

London es, antes que nada, una novela. Todas las familias cuya suerte sigue esta historia, desde los Ducket hasta la familia de Penny, son ficticias, al igual que el papel que cada uno de ellos desempeña en los hechos históricos que se describen. Al seguir la historia de estas familias imaginarias a lo largo de los siglos, he

London es, antes que nada, una novela. Todas las familias cuya suerte sigue esta historia, desde los Ducket hasta la familia de Penny, son ficticias, al igual que el papel que cada uno de ellos desempeña en los hechos históricos que se describen. Al seguir la historia de estas familias imaginarias a lo largo de los siglos, he tratado

London es, antes que nada, una novela. Todas las familias cuya suerte sigue esta historia, desde los Ducket hasta la familia de Penny, son ficticias, al igual que el papel que cada uno de ellos desempeña en los hechos históricos que se describen. Al seguir la historia de estas familias imaginarias a lo largo de los siglos, he tratado de

London es, antes que nada, una novela. Todas las familias cuya suerte sigue esta historia, desde los Ducket hasta la familia de Penny, son ficticias, al igual que el papel que cada uno de ellos desempeña en los hechos históricos que se describen. Al seguir la historia de estas familias imaginarias a lo largo de los siglos, he tratado de situarlas

London es, antes que nada, una novela. Todas las familias cuya suerte sigue esta historia, desde los Ducket hasta la familia de Penny, son ficticias, al igual que el papel que cada uno de ellos desempeña en los hechos históricos que se describen. Al seguir la historia de estas familias imaginarias a lo largo de los siglos, he tratado de situarlas entre

London es, antes que nada, una novela. Todas las familias cuya suerte sigue esta historia, desde los Ducket hasta la familia de Penny, son ficticias, al igual que el papel que cada uno de ellos desempeña en los hechos históricos que se describen. Al seguir la historia de estas familias imaginarias a lo largo de los siglos, he tratado de situarlas entre personas y acontecimientos que existieron, o que

London es, antes que nada, una novela. Todas las familias cuya suerte sigue esta historia, desde los Ducket hasta la familia de Penny, son ficticias, al igual que el papel que cada uno de ellos desempeña en los hechos históricos que se describen. Al seguir la historia de estas familias imaginarias a lo largo de los siglos, he tratado de situarlas entre personas y acontecimientos que existieron, o que pudieron

London es, antes que nada, una novela. Todas las familias cuya suerte sigue esta historia, desde los Ducket hasta la familia de Penny, son ficticias, al igual que el papel que cada uno de ellos desempeña en los hechos históricos que se describen. Al seguir la historia de estas familias imaginarias a lo largo de los siglos, he tratado de situarlas entre personas y acontecimientos que existieron, o que pudieron haber

There was need, in addition to those earlier, purely historical Gospels, of a Gospel at once theological and historical, like that of John," in which Jesus should be presented, not as the Jewish Messiah, "but as the Saviour of the World.

Martin Luther was the Reformation's indispensable firestarter. Would there have been a Reformation if young Martin had followed his father's wishes and become a lawyer? Who knows, but the Reformation as it actually happened is unimaginable without him.

The panorama of the kingdom of God was to be hid from their eyes till the curtain was lifted in three distinct historical movements--the ascension, the descent of the Spirit at Pentecost on the multitude who had come to keep the feast, and the conversion of Samaritans and the Gentiles.

To comprehend...the full sanctity, the full breadth and reality of the individual's rights and not to destroy society, not to shatter it into atoms, is the most difficult of tasks. It has never been resolved by any historical systems in the past; for that one needs a great maturity, which mankind has not yet attained.

You can tell when a Hollywood historical film was made by looking at the eye makeup of the leading ladies, and you can tell the date of an old science fiction novel by every word on the page. Nothing dates harder and faster and more strangely than the future.

To me, spending millions of dollars recreating the world's sadness with actors and props and sets - it seems like a kind of arrogant waste of money... Unless, that is, it's a film about an historical event.

When I was young, watching historical movies made me feel absolutely sublime. But the first few times I visited costume museums, I was really disappointed because it was not at the level I saw in movies. It was not the level of the image I'd imagined.

Watergate got us to think of leaders as mere mortals. America began to think of itself in a very different way - I would say a salutary way - and Reagan was most important in shifting the grand dynamic thrust of the American historical process by ending that.

When I was growing up I loved reading historical fiction, but too often it was about males; or, if it was about females, they were girls who were going to grow up to be famous like Betsy Ross, Clara Barton, or Harriet Tubman. No one ever wrote about plain, normal, everyday girls.

On a normal novel, I would like to get 2,000 to 2,500 words done in a day; I average 10,000 words a week, and then there's a day for planning. With the historical ones, it's a lot harder because you have to stop and double-check facts.

Roy Chubby Brown's offensive material is disgusting to me, an offensive beating-down of people who have already been beaten down plenty, culturally and historically.

History is a point of view always.

What really disconcerts commentators, I suspect, is that when they read historical fiction, they feel their own lack of education may be exposed; they panic, because they don't know which bits are true.

There is a great silver lining to the 45th presidency, which is, it's hard to swallow that he is existing, which gives us the silver lining, which is a great uncovering of the historical disenfranchisement and marginalization of so many people in this country for so long.

I know the world of opera so intimately: historical sweep, sharply defined characters, not too rational an explanation of what's going on. It's a feast.