Quotes About Choice

At its best, film should be like a ski jump. It should give the viewer the option of taking flight, while the act of jumping is left up to him.

I have no choice but to admit that, for a while, I was a casual viewer of 'American Idol.' By 'casual viewer,' I mean I watched every episode aired between 2004 and 2007.

As a viewer, I decide when I see the promo of a film whether I want to watch it or not. No amount of marketing can convince me otherwise.

Giving consumers the choice of having it all in one big bite means different viewers are in many different places in the book, making it hard to discuss without spoiling the plot. The intervals between first-run programming provide a space for communion and that tantalizing sense of anticipation.

I think its going to be continually tougher on the big networks as more cable channels do really interesting television. The big networks have a choice to make: Do we try to be all things to all people and get the shows that will deliver 20 million viewers a week? Are we the McDonald's of television? Or are we going to try to be more specific?

I always choose new dramas with a hope that all of my fans and viewers would be able to feel comforted while watching.

It cannot be so very surprising that I adopted a Communist viewpoint in the 1930s; so many of my contemporaries made the same choice. But many of those who made that choice in those days changed sides when some of the worst features of Stalinism became apparent. I stayed the course.

All writers, in all viewpoints, must choose which information and scenes will be presented, and in which order. In that sense, the author is always represented as a point of view in a work of fiction. His hand can always be detected by the discerning.

In deciding among theological views, one should be something of a consequentialist: the choice of one theological position over another should be, if not actually determined, at least heavily conditioned by the fact that it implies a better ethical outcome than the alternatives.

I have very strong views on TV. There's no diversity, there's no choice. Things are decided by committee.

Anybody can endorse me; that's their choice. That does not mean that I support their views.

I was offered a free villa in Hollywood, but I said no thank you, I prefer to live in Italy.

In the village where I grew up, a lot of girls didn't have a choice of whether to go to middle school. They would get engaged or married and spend their entire life in that village.

You could be a victim, you could be a hero, you could be a villain, or you could be a fugitive. But you could not just stand by. If you were in Europe between 1933 and 1945, you had to be something.

America has this fascination with glorifying the villain and not talking about the trials and tribulations. We tell the story of the successful villain a lot of times, but we don't tell the story of the people who don't come out so successful, and we don't tell the story of all the bystanders of that choice.

I don't think anyone sets out to be the evil villain.

Some people are cowards... I think by and large a third of people are villains, a third are cowards, and a third are heroes. Now, a villain and a coward can choose to be a hero, but they've got to make that choice.

I generally play villains once every three or four years by choice because I get offered villainous roles a lot, because of the way I look and whatever. And I tend to avoid them because I think you can end up in a cul-de-sac of your own making if you're cast in that.

I just want to say about Beto O'Rourke and Andrew Gillum, I mean, every superhero has to have the right nemesis. And for Beto O'Rourke, he's been very lucky in his choice of oppositional villains to run against.

If I had the choice between smoked salmon and tinned salmon, I'd have it tinned. With vinegar.

I've always enjoyed searching for clothes. I like thrift stores and vintage stuff, and not so much going to Urban Outfitters. What got me interested is having to choose dresses for the carpet, and doing a lot of shoots with really cool clothes. I've gotten to try on a lot of things that I've liked, and some things that I haven't.

I'm not a fan of second-hand or vintage clothes.

I didn't tell my kids, 'You have to play viola, and you have to play piano.' They chose these things on their own, and I don't think we have to give kids every choice, but we do have to give them some choice because that autonomy is crucial for fostering passion.

A double bind is far worse than a straightforward damned-if-you-do, damned-if-you-don't dilemma. It requires you to obey two mutually exclusive commands: Anything you do to fulfill one violates the other.