Quotes About Creation

I'm a big believer in puking out all your thoughts in a single sitting and getting some version of the work down, because the alternative just prolongs the agony. The first draft is hideous and ajskdlkdfksjdfslfjk, but it's just a map for where the big blocks go.

I believe there's a platonic ideal for every book that is written, like there's the perfect version of the book somewhere in the ether, and my job is to find what that book is through my editing.

I wrote a play once called 'Lobby Hero,' which I thought turned out very well, but there's no final version of it. I published the one we produced, but there are seven other versions with different variations sitting in my desk at home.

I think the first things I did, I used to try to create digital versions of Dungeons & Dragons that would help me generate a character, that would roll the dice for me.

I honestly go back and forth in my head about using advanced and innovative technologies for creating my characters. There's something more 'real' and charming when the characters aren't perfect. It's the difference between anything that's built by a computer and machine versus the same thing being made by hand.

First of all, the Big Bang wasn't very big. Second of all, there was no bang. Third, Big Bang Theory doesn't tell you what banged, when it banged, how it banged. It just said it did bang. So the Big Bang theory in some sense is a total misnomer.

My brothers and sisters started having children at a very early age, and I was just there all alone at one point, like, 'What do I do?' And I thought the only thing I can do is create mine, make my family, and I did that.

We've been dealing with censorship around multimedia, about multinational companies and the content they create, for a very long time.

It's my observation that gardeners and gardening for a very long time have had to take a back seat. Architects are very famous; they've got huge projects. What goes on in and around them has been relegated to a very minor role.

It takes me a very, very long time to write a story, to write a piece of fiction, whatever you call the fiction that I write. I just go about it blindly, feeling my way towards what it has to be.

The beauty of architecture is it involves work that stretches over a very long time but often starts in one instant, with just one emotion, a kind of instinctual response.

The need for this clinic is clear to me, to the veterans who are currently forced to travel hours to receive care, and even to the Veterans Administration that itself identified creation of a clinic in this part of our state as a priority to be completed by 2006.

All of the material for 'The Fine Line' was created via improvisation with my partner, but not in front of an audience. We'd continue to refine it in front of an audience based on their responses until it was set and scripted.

If we descended from space aliens, that's just as viable as Adam and Eve in the Garden of Eden, as far as I'm concerned.

When you are making an album, it is about the purpose - you are creating both a concept and vibe, then you follow through with that.

I just see potential in things that aren't there and how it's going to make you feel. Like, if it makes me feel a certain way, I try and create the vibe of how that felt to me. And try and create it for someone else.

When you make music, you're forming these invisible vibrations in the air into different shapes and consistencies and speeds in order to create music, and understanding how the math of that works just gives you more colors to paint with, and allows you to get to what you want quicker.

I don't want to be one of these guys who sits in a room watching old footage of himself, reliving old glory. It's just not me. I want to create new adventures. I'm not trying to live vicariously through my own past.

Our beliefs create the kind of world we believe in. We project our feelings, thoughts and attitudes onto the world. I can create a different world by changing my belief about the world. Our inner state creates the outer and not vice versa.

I think being an actor makes me a better writer and vice versa. I know the kinds of roles I would kill to play, and I try to create them for others.

I have to know the killer, the victim and the motive when I begin. Then I start to create the characters and see how the novel takes shape based on what these people are like.

It's been amazing how this crazy career has been created. I feel that it's been given to me. I wouldn't be anywhere without Victoria's Secret.

I'm still not entirely sure how 'Pretty Girl' blew up the way it did. It wasn't really meant to. The song was originally meant for a compilation tape for a magazine called 'The Le Sigh', and I made the video in about 30 minutes.

When you're making video, you're giving structure to time, which is what a composer does.