Quotes About Creation

I always make music as an art - it's never been a product for me.

Evil is done without effort, naturally, it is the working of fate; good is always the product of an art.

It's a product of two poles - there's the pole of the one who makes the work, and the pole of the one who looks at it. I give the latter as much importance as the one who makes it.

It's funny to see the finished product of a movie, stuff that's so beautiful, and to remember the particulars.

I try as much as possible to give you a great basic product and what comes out, I feel, is really amazing.

Every other artist begins with a blank canvas, a piece of paper the photographer begins with the finished product.

Often in each collection, there are three or so seeds of things that come together accidentally to form what appears to everyone else as a final product, but for me, it is never ending.

A screenplay is not a finished product; a novel is. A screenplay is a blueprint for something - for a building that will most likely never be built.

The writer's language is to some degree the product of his own action; he is both the historian and the agent of his own language.

He's part of the product and will make no bones about creating that image to bring the value up in his product, bring the value up in everything he touches.

What you do, you don't think of as a product.

When you're relegated to go from movie to movie, so much of what you're doing is out of your control beyond creating the product.

A product is usually created to improve people's lives; otherwise, why buy it? I'm no genius, but I am an American, and gosh-darnit, I consume, so I know what I'm talking about.

Production is something I've never come to terms with.

There's something about taking a film from concept to script, through production, and then to see the final thing happening in the edit phase. It's almost like a miracle in the making.

There's no reason why the 'Lost' alternate reality game had to be officially made by the 'Lost' production crew.

A lot of directors say, 'Do whatever you want, and I'll just change it on set.' But I love being involved in every part of production. It's very exciting. It's like an empire of creation: Everybody is working so hard to respect a vision and an idea, and it's very weird and inspiring at the same time.

I just want to keep on creating stuff that people can relate to and inspire anyone who feels like their voice isn't heard; being relatable and being as authentic as possible is the whole goal of my production company.

I create a lot of my content in one or two days for the next month because I can get really creatively inspired and then I can spend the rest of the couple of months thinking about other creative ideas but focusing on business, logistics, being effective, practical, and productive.

People outside the profession of architecture perhaps often lack the understanding of how their physical environment comes into being. What are the processes, the concerns and considerations? What are the parameters that shape the world around them?

My main profession is architect.

While I'm working on something, every single part of me is in it. But then, once it's done, I leave that place behind. I usually don't like to revisit it. So it's almost like listening to a different person.

When I look back at the record and listen to it, I can sort of see where I was at when I was making it - these brief little moments, different places I was at emotionally.

I always wanted to be part of a movie that creates a different world.