Quotes About Creation

Producing is a wonderful foil to being an actor: acting being largely about getting out of my head, being present, a little irresponsible, whilst producing is the polar opposite. You need other players to act; you can't act in a void, but producing is about making something out of nothing - conjuring a thought or an idea into reality.

The experience of creating my adventure games was, other than marrying my husband and bringing into the world my two sons, the most fulfilling, wonderful experience I ever had.

'Barsaat' was a wonderful experience, but it took a long time in the making, and that got very tedious.

The entire Mayron's Good Baby natural skin care line is free from synthetic fragrances, paraben, sodium lauryl sulfate, and DEA. It was a wonderful experience to work with my father on the creation of these natural products.

When I embarked on creating 'Shrimp' a couple of years ago, I never could've imagined where this journey would take me or the wonderful people I'd come to know along the way.

It's a wonderful thing to have life and to look at all this creation and say thank you. I even say it on stage.

It is a wonderful thing in the process of writing when such paper characters are first sketched, and, when one is doing good work, from a certain point in time they come alive and start contradicting the author as well.

Making beautiful things for everyday use is a wonderful thing to do - making life flow more easily - but art confronts life, allowing it to stop and perhaps change direction - they are completely different.

The wonderful thing about cinema is you can bring a 3D world to life.

I mean, the wonderful thing about writing a book is that you're getting a finished product at the end of the day. You're communicating directly with the reader.

The wonderful thing about a book is that you have a canvas that is 300 pages wide, and it's all free space. You can make a piece of art as big as you want and whatever shape you want.

The wonderful thing about theater as an art form is it's a purely empirical art form. It's all about what works. And every show, every production, is created anew right from the moment you go into the rehearsal hall.

Nature study will show you how full of beautiful and wonderful things God has made the world for you to enjoy. Be contented with what you have got and make the best of it. Look on the bright side of things instead of the gloomy one.

Actors can be good, say all these beautiful, wonderful things - but where does it come from? It comes from the writers, and people kind of forget that sometimes.

One of the more depressing things about reading your fiction 25 years later, or 10 years later, is you realize the only things going on are things you made go on. Strange and interesting and new and wonderful things don't happen. It's the book you wrote; that's all.

When I create and write for TV, I build universes that will have arcs lasting seasons, whereas theatre allows me to explore storylines that will open up for two hours or less. Both are wonderfully fulfilling, but they couldn't be more different.

When I started 'DailyGrace,' I was dating a 26-year-old guy I thought was the funniest person in the world. My creation process every day was imagining him watching my videos and wondering, 'Will he laugh at this?' But somehow that's turned into an audience that's mostly 15-year-old girls.

This earth indeed is the very Body of God, and it is from this body that we are born, live, suffer, and resurrect to eternal life. Either all is God's Great Project, or we may rightly wonder whether anything is God's Great Project. One wonders if we humans will be the last to accept this.

Father, we thank you, especially for letting me fly this flight - for the privilege of being able to be in this position, to be in this wondrous place, seeing all these many startling, wonderful things that you have created.

I don't think that books are wondrous, magical things that come from nowhere. It's important that a book has clues about where and how it was written.

I've always remembered something Sanford Meisner, my acting teacher, told us. When you create a character, it's like making a chair, except instead of making someting out of wood, you make it out of yourself. That's the actor's craft - using yourself to create a character.

When they invented the mandolin, it was as if they were trying to come up with the least efficient means of extracting noise from a piece of wood.

'The Lion' all began with a picture of a faun carrying an umbrella and parcels in a snowy wood. This picture had been in my mind since I was about sixteen. Then one day, when I was about forty, I said to myself, 'Let's try to make a story about it.'

Myself and some kids on our estate became obsessed with the creation of the ultimate go-kart. This ambition culminated in the creation of a six-man super-cart, which was essentially a plank of wood with four wheels, and a failed attempt to jump a tributary of the River Severn powered only by Rex, our dog.